网络电影的文本及接受研究
发布时间：2019-05-17 03:42
【摘要】：2010年两部网络电影《老男孩》《四夜奇谭》的出现让诞生十余年的网络电影重新释放光彩，引发了一股中国网络电影的拍摄、讨论热潮。网络电影这种新型的电影艺术形式打破了专业媒体、机构主导影像传播的传统，符合网络时代下受众参与编剧、平等对话的诉求，具有积极的理论价值和现实意义。 网络电影是网络数字媒体技术发展、视频网站走向强大，多元社会和碎片化生存时空交织作用下的产物，具有短时性、个体性、互动性的特征，这些都使得网络电影明显区别于传统电影。因此，网络电影需要寻找适合自身生存发展的方法途径，方能在未来与电影的竞争中保持优势。本文选择从文本和接受两个对网络电影生存发展有决定作用的因素对网络电影进行了较为深入的分析阐释。文本上，文章结合网络电影的作品分析，运用叙事学相关理论，从网络电影的主题、叙事策略、语言三个方面探析了网络电影的文本特征。随后对网络电影接受主体进行研究，概括总结了接受主体的人口特征和接受行为，探讨了网络电影主动参与的接受方式带来的全新的审美体验，，阐述了网络电影四种不同的接受心理，对网络电影的接受主体的特质进行综合剖析。基于对文本和接受的相关分析和总结，文章最后对网络电影的发展提出了“丰富作品题材、改善画面质量、提高思想深度、重视互动型作品”的发展建议，以期对网络电影的良性发展有所启示。
[Abstract]:The emergence of two online films, Old Boys and four Nights in 2010, brought back the brilliance of online films, which were born for more than a decade, and triggered a wave of online film shooting and discussion in China. The new film art form of online film breaks the tradition of professional media and organization leading image communication, and accords with the demand of audience to participate in screenwriting and equal dialogue in the network age, and has positive theoretical value and practical significance. Network film is the product of the development of network digital media technology, the strong trend of video website, the interweaving of pluralistic society and piecewise survival time and space, which has the characteristics of short time, individuality and interaction. All these make the online film obviously different from the traditional film. Therefore, online film needs to find a way to survive and develop in order to maintain its advantage in the future competition with film. This paper analyzes and explains the online film from two decisive factors, the text and the acceptance, which play a decisive role in the survival and development of the online film. In the text, based on the analysis of the works of online film, this paper probes into the text characteristics of online film from three aspects: the theme, narrative strategy and language of online film by using the relevant theories of narratology. Then it studies the subject of online film acceptance, summarizes the demographic characteristics and acceptance behavior of the subject, and probes into the new aesthetic experience brought about by the way of accepting the active participation of online film. This paper expounds four different receptive psychology of online film, and makes a comprehensive analysis of the characteristics of the receiving subject of online film. Based on the analysis and summary of the text and acceptance, the paper finally puts forward the development suggestions of "enriching the theme of the works, improving the picture quality, improving the depth of thought and paying attention to the interactive works" for the development of the network film. In order to enlighten the healthy development of online film.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2478777
[Abstract]:The emergence of two online films, Old Boys and four Nights in 2010, brought back the brilliance of online films, which were born for more than a decade, and triggered a wave of online film shooting and discussion in China. The new film art form of online film breaks the tradition of professional media and organization leading image communication, and accords with the demand of audience to participate in screenwriting and equal dialogue in the network age, and has positive theoretical value and practical significance. Network film is the product of the development of network digital media technology, the strong trend of video website, the interweaving of pluralistic society and piecewise survival time and space, which has the characteristics of short time, individuality and interaction. All these make the online film obviously different from the traditional film. Therefore, online film needs to find a way to survive and develop in order to maintain its advantage in the future competition with film. This paper analyzes and explains the online film from two decisive factors, the text and the acceptance, which play a decisive role in the survival and development of the online film. In the text, based on the analysis of the works of online film, this paper probes into the text characteristics of online film from three aspects: the theme, narrative strategy and language of online film by using the relevant theories of narratology. Then it studies the subject of online film acceptance, summarizes the demographic characteristics and acceptance behavior of the subject, and probes into the new aesthetic experience brought about by the way of accepting the active participation of online film. This paper expounds four different receptive psychology of online film, and makes a comprehensive analysis of the characteristics of the receiving subject of online film. Based on the analysis and summary of the text and acceptance, the paper finally puts forward the development suggestions of "enriching the theme of the works, improving the picture quality, improving the depth of thought and paying attention to the interactive works" for the development of the network film. In order to enlighten the healthy development of online film.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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