西汉陶俑艺术研究

发布时间：2018-01-08 18:28

本文关键词：西汉陶俑艺术研究　出处：《西安美术学院》2006年硕士论文　论文类型：学位论文

【摘要】： “中国人是最能为死者操心的民族”。在“事死如事生”“生死一体化”的大的丧葬风俗背景之下,中国的西汉时期,丧葬明器中具有着特定艺术风格和文化造型式样彩绘陶制俑像的产生是差异巨大的秦、楚文化在西汉得以融合的结果。此外西汉制俑工艺是对秦代制俑工艺的继承和发展,由秦代制作陶俑时的“模塑结合,以塑为主”工艺发展为方便批量制作的“模塑结合,以模为主”的新的工艺方法。西汉陶俑艺术是在秦俑艺术及其精神的基础上,结合楚文化浪漫感性的情感表达方式,两者共同作用下催生出的具有西汉时代特征的彩绘陶制俑像。本文通过对西汉陶俑产生的丧葬背景、历史文化根源、风格表现、工艺基础及流程、创作心理等多个方面的分析探讨,试图就西汉陶俑艺术的产生,发展及其影响作一个较为系统的梳理。
[Abstract]:"Chinese people are the most able to worry about the dead". Under the background of "death as life" "life and death integration" of the great funeral customs, China's Western Han Dynasty. The appearance of pottery figurines with special artistic style and cultural style in funeral objects is a huge difference in Qin Dynasty. Chu culture in the Western Han Dynasty to integrate the results. In addition, the Western Han Dynasty figurines are the inheritance and development of the Qin Dynasty, by the Qin Dynasty when making pottery figurines "molding combination." The new process method of "combination of moulding and moulding" is developed to facilitate batch production. The art of pottery figurines in the Western Han Dynasty is based on the art and spirit of Qin Terracotta Warriors. Combined with the romantic emotional expression of Chu culture, under the joint action of the two under the birth of the Western Han Dynasty characteristics of painted pottery figurines. This article through the Western Han Dynasty pottery figurines produced funeral background, historical and cultural roots. This paper attempts to make a systematic analysis of the emergence, development and influence of the pottery figurines in the Western Han Dynasty by analyzing the style, the technological foundation and the process, the creative psychology, and so on.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：K879.3;J309.2

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