论中国传统雕塑中的塑绘一体

发布时间：2018-01-28 19:31

本文关键词： 塑绘一体彩绘线条造境　出处：《中国美术学院》2016年博士论文　论文类型：学位论文

【摘要】：中国传统雕塑无论在技法特征,还是审美意趣上与绘画均有着极为密切的关系。比如,作为绘画主要表现手段的色彩和线条,却也是中国传统雕塑最主要的技法特征。还有,如“立体山水画”一般的山水塑壁与山水画也有密切的联系。本文将这些特征称之为塑绘一体。在中国传统雕塑理论缺失的情况下,它是研究中国古代雕塑的重要门径。塑绘一体首先是中国文化思维模式与时空意识下之产物;另外,作为中国传统雕塑最主要的两大类别,明器雕塑与佛教造像又分别出于事死如生和宗教仪礼的需要,而始终坚持对雕塑进行彩绘。还有,雕塑创作主体不仅塑绘兼长,并且创作过程中还直接对画样进行运用。再加上从事雕塑者与绘画者文化地位的不平等,集聚艺术精英的绘画体系,又以其高度的审美自觉、艺术范式,在不同的历史时期对雕塑起着全面地引导作用,同时雕塑也自然地依附于绘画。并且,中国古代不仅没有刻意区分雕塑与绘画,更是在画论中列“塑作门”。由于以上原因,最终使得中国传统雕塑与绘画具有极大的互通性,并出现“雕塑似画”的现象。这种塑绘一体正是中国传统雕塑品评的重要依据。大体来看,可从色彩美、线条美和意境美三个角度,并参照绘画对其进行评价体系和范畴的梳理。这种综合表现和多重审美是中国雕塑与西方雕塑的重要区别。它已不仅仅是一种外在特征,而几乎成为中国传统雕塑的重要法则。以此切入将是对中国传统雕塑一系列历史遗留问题进行进一步深入研究,以及中国雕塑学建构的重要突破口。同时,作为一种蕴含本民族审美心灵和视觉习惯,并极具中国特色的雕塑语言,在注重学科综合和多元互动的当下也必将凸显其独特价值和重要作用。
[Abstract]:China both in traditional sculpture techniques, or aesthetic charm and painting has a very close relationship. For example, as the main means of drawing and color, but also China the main characteristics of traditional sculpture techniques. Also, such as "three-dimensional landscape painting" the general landscape plastic wall and landscape painting is also closely contact. These features called painted plastic one. China in the absence of the traditional theory of sculpture, it is an important way to study Chinese ancient sculpture. First one is Chinese painted plastic culture mode of thinking and consciousness of time and space under the product; in addition, the two categories as the main China traditional sculpture. Burial sculptures and Buddhist statues were out of death to life and religious ritual, and always adhere to the painted sculpture. Also, the sculpture subject not only painted plastic and long, and in the process of creation also directly In the drawing application. Plus the sculpture and painting the cultural status of inequality, agglomeration elite art painting system, with its aesthetic consciousness, highly artistic paradigm, in different historical periods of the sculpture plays a guiding role fully, but also naturally attached to the sculpture and painting., not only did not distinguish between Chinese ancient sculpture and painting, it is listed in the "plastic door" in the painting theory. Due to the above reasons, the China traditional sculpture and painting has great interoperability, and the emergence of "sculpture like painting" phenomenon. This is an important basis for development of plastic paint Chinese traditional sculpture evaluation. In general from the point of view, color beauty, beauty and artistic beauty in three aspects, and referring to the painting on the category of evaluation system and combing. The comprehensive performance and multiple aesthetic is an important difference China sculpture and Western sculpture. It has Not only is a kind of external features, and almost become an important rule. In order to cut the China traditional sculpture will be China traditional sculpture a series of historical issues for further research, and an important breakthrough in China sculpture construction. At the same time, as one of the national aesthetic spirit and visual habits, and very China characteristic sculpture in the comprehensive language, pays more attention on the subject and the multiple interactive moment will also highlight its unique role and value.

【学位授予单位】：中国美术学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J305

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