中国龛窟造像史上最后的光亮

发布时间：2018-01-31 03:33

本文关键词： 窟龛造像密教造像杭州飞来峰西夏元两都汉传造像梵式造像　出处：《中国美术学院》2012年博士论文　论文类型：学位论文

【摘要】：中国窟龛造像自3世纪发轫于新疆，历经千年发展，至元代，在杭州飞来峰迈向了终点。或许她算不上造像史上的巅峰之作，但仍以其为数之众多、样式之精美独特，堪称中国窟龛造像史上最后一抹光亮。是何原因使其落址于此？又是何原因使其体现了“显密并陈、汉梵并用”的特点？而这些风格特点又肇源于何处？本文试从飞来峰元代造像的相关资料出发，，通过对其造像题记的深入研究，凭借实地勘察与典籍互证、区域分析与图像比较等手段，提出飞来峰元代造像是由杨琏真加及其子杨暗普两代人共同主持镌造的观点。又在经过对西夏、元两都及杭州地区原有造像题材及样式的分析比较后，得出飞来峰元代造像中的汉传题材及部分样式是对本地原有题材的合理承继，而有些汉传造像样式与梵相又共同来自于西夏等地，并在梵相中保留了藏西和卫藏两大造像样式特点的结论。在此基础上，本文还进一步推断，飞来峰元代造像镌造之初当有造像的粉本存在以及通晓汉梵两种造像样式的外地艺匠参与其事，等等。
[Abstract]:The Chinese cave shrine, which originated in Xinjiang in 3th century, has been developed for millennia before flying to the end of its peak in Hangzhou in the Yuan Dynasty. It may not be the pinnacle of the statue's history, but it is still numerous. The style is so beautiful and unique that it is the last light in the history of the Chinese cave shrine. Why did it fall here? What is the reason for it to reflect the "secret and Chen, Han and Vatican to use" characteristics? And where do these stylistic features come from? This paper tries to start from the relevant materials of Feilai Feng Yuan Dynasty, through the in-depth study of its inscription, with the help of field investigation and mutual identification of classic books, regional analysis and image comparison and other means. Put forward the view that the Feilai Feng Yuan Dynasty statue was created jointly by Yang Lian Zhenjia and his son Yang Shaomu, and after the analysis and comparison of the original subjects and styles of the original statues in Xixia, Yuanlidu and Hangzhou area. It is concluded that the Han legends and some of the styles in the Feilai Feng and Yuan Dynasty statues are reasonable successors to the local original themes, and some of the Han traditional images and the Vatican images come from the Xixia and other places together. On the basis of the conclusion that the western Tibetan and the Wei Tibetan statues are preserved in the Vatican, this paper further deduces. Feilai Feng Yuan Dynasty sculpture engraved when there is the existence of the powder of the statue, and familiar with the Han and Vatican two patterns of local artisans to participate in the matter, and so on.
【学位授予单位】：中国美术学院
【学位级别】：博士
【学位授予年份】：2012
【分类号】：J309.2

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