十倍于昔的新视野——20世纪关于中国古代雕塑史的研究

发布时间：2018-03-08 04:30

本文选题：中国古代雕塑　切入点：兵马俑　出处：《美术研究》2001年01期 　论文类型：期刊论文

【摘要】：关于中国古代雕塑史论的研究 ,是20世纪一个开创性的学术领域 ,主要始于20年代初 ,兴于三四十年代 ,盛于八九十年代。地下美术考古发现极大地扩展了美术史研究的视野。中国古代雕塑的源头可上溯到八千年前查海遗址发现的陶塑动物和真玉雕刻品。近几十年来发现的红山文化大型彩塑女神像、四川广汉三星堆古蜀人青铜人像群和秦始皇陵七千兵马俑表明中国古代很早就在大型雕塑方面积累了丰富的创作经验 ,南北朝以后佛教大型造像正是本土雕塑传统与外来宗教交互融汇的产物。石窟寺艺术研究是20世纪雕塑史最富于成果的领域。对石窟寺遗址的大规模调查和考古学方法的引入使研究工作更为规范并获得坚实的基础。90年代是一个世纪以来中国雕塑史研究的梳理、总结、集大成时期 ,今后需要在前人工作的基础上更深入对中国雕塑艺术本体的研究。
[Abstract]:The study of the history of ancient Chinese sculpture is a pioneering academic field in 20th century, which began in early 20s and flourished in the 1930s and 40s. The discovery of underground art archaeology greatly expanded the horizons of art history research. The source of ancient Chinese sculptures can be traced back to the pottery animals and jade sculptures discovered at the site of Zhanghai 8,000 years ago. In recent decades. The large colored statue of the Hongshan culture, The bronze statues of ancient Shu people in Sanxingdui, Sichuan, and the 7,000 Terracotta Warriors of the Qin Shihuang Mausoleum show that China accumulated rich creative experience in large-scale sculptures early in ancient China. After the Southern and Northern dynasties, the large Buddhist statues were the product of the interaction between the local sculpture tradition and foreign religions. The art research of grotto temple is the most fruitful field in the history of sculpture in 20th century. A large-scale investigation and archaeology of the grottoes temple site. The introduction of the method of learning makes the research work more standardized and gets a solid foundation in the 1990s, which is the combing of the study of Chinese sculpture history in the past century. In conclusion, in the period of great achievement, it is necessary to further study the Noumenon of Chinese Sculpture Art on the basis of predecessors' work.
【作者单位】：中国美术家协会
【分类号】：J333

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