大足石刻造像艺术世俗化的人类学审美指向

发布时间：2018-03-09 15:16

本文选题：大足　切入点：石刻　出处：《美术观察》2013年04期 　论文类型：期刊论文

【摘要】：正大足石刻艺术作为世界非物质文化遗产,其价值和意义已经在很大程度上超出了单纯佛教密宗道场的宗教信仰领域,熔铸了儒道释的思想文化精神要义。更进一步说,大足石刻的价值和意义绝不仅仅局限在巴蜀地区,事实上,大足石刻已经从更加广泛的角度超越了地域、国家、民族范围,它的价值本身就带有全人类的意义。国际国内学术界都对大足石刻的文化遗产给予了应有的关注和研究。这些学术关注和学术研究大多集中在文物保护、宗教题材的生成演变方式研究,同时也包括宗教伦理、宗教社会、宗教造像仪轨等文化价值,当然也包括旅游开发以来,客观上对大足石刻艺术的宗教内涵、艺术内涵、科技
[Abstract]:As the intangible cultural heritage of the world, the value and significance of the art of Zhengdazu stone carvings have to a great extent exceeded the religious belief field of the pure Buddhist tantrums, and have cast the ideological, cultural and spiritual essence of Confucianism, Taoism and Buddhism. The value and significance of Dazu stone carvings are not confined only to the Bashu region. In fact, Dazu stone carvings have already transcended the scope of the region, the country, and the nation from a broader perspective. Its value itself has the significance of all mankind. The international and domestic academic circles have given due attention and research to the cultural heritage of Dazu stone carvings. Most of these academic concerns and academic studies focus on the preservation of cultural relics. The research on the formation and evolution of religious subject matter also includes the cultural values of religious ethics, religious society, religious idolatry ritual and so on. Of course, it also includes the religious connotation, artistic connotation and science and technology of Dazu stone carving art since the development of tourism.
【作者单位】：重庆西南大学美术学院;重庆西南大学纺织服装学院;
【基金】：教育部2010年人文社科基金项目,编号:10YJA760040)
【分类号】：J314.3

【二级参考文献】