感受“肌肤”

发布时间：2018-04-26 05:00

本文选题：泥性 + 肌理　；参考：《中央美术学院》2013年硕士论文

【摘要】：肌理在当代艺术创作领域里已被艺术家作为材料形式的首要表现对象倍受关注和广泛使用,它不仅承担着艺术创作中的物质载体的角色,同时已经演化为诉说情感丰富而有力的艺术语言,实现着物质材料自身的审美价值和艺术家的情感。肌理渐渐从艺术语言辅助手段发展上升为艺术语言本身。泥性肌理作为笔者从事艺术创作的重要表达给笔者创作发挥带来了无尽的空间和可能,同时也启发了笔者的灵感和创造力。材质不再是原来意义上的材质,工艺也不再是简单层面的制作手段,它与情感出发点紧密的联系在一起,成为贴切表达情感的符号之一。本文主要从肌理的概念类别和阐释泥性以及泥性肌理的营造三个方面来论述泥性肌理在艺术创作中材质的特性。
[Abstract]:In the field of contemporary art creation, texture has been paid much attention to and widely used by artists as the primary object of expression of material form. It not only bears the role of material carrier in artistic creation, At the same time, it has evolved into a rich and powerful artistic language, realizing the aesthetic value of material itself and the emotion of artists. The texture gradually developed from the art language auxiliary means to the art language itself. As an important expression of the author's artistic creation, muddy texture brings endless space and possibility to the author's creation, and also inspires the author's inspiration and creativity. Material is no longer the original meaning of the material, technology is no longer a simple level of production means, it is closely linked with the emotional starting point, become one of the appropriate expression of emotional symbols. This paper mainly discusses the material characteristics of mud texture in artistic creation from three aspects: the concept category of texture and the construction of mud texture and mud texture.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J314.7

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