中国当代女雕塑家女性视角探析

发布时间：2018-04-28 17:35

本文选题：中国当代艺术 + 女雕塑家　；参考：《江南大学》2013年硕士论文

【摘要】：在当今社会文化建构中，中国当代艺术的发展呈现出多元化的特点，女性艺术家作为中国当代艺术家这支庞大的艺术创作群体的一部分，她们的创作越来越突出，日渐成为一个不可忽视的群体。中国当代女雕塑家作为这支群体里的一部分，同样具有其独特性。中国当代女性雕塑家这支独特的群体是在现代雕塑思潮涌入中国的时代背景下成长起来的，她们一方面受到民族文化固有模式的影响，一方面受到各种艺术思潮的冲击，面临着现实社会的巨大变化，面临选择和自我转型的问题，表现出的更“自觉”化的女性意识。她们在不断的生活、实践中表现自我，甚至超越自我，进而超越传统思想的束缚，脱离传统雕塑的话语模式，形成中国当代女雕塑家特有的艺术创作观念和表现方式，，她们以其独特的直觉和身为女人的天性呈现她们眼中的人物与生活故事，形成女性雕塑家特别的艺术视角。本文将1980年代以来的女性雕塑家及其创作作为重要的关注点。通过对中国当代女雕塑家发展现状及其作品特点的分析论述，进而归纳总结出中国当代女雕塑家及其作品中所蕴含的女性特质、女性视角的具体表现。本文共分为四大部分。第一部分为本文的绪论部分，主要是明确研究的内容与研究范围，阐明研究此课题的目的、意义，明确本课题需要解决的问题；第二部分则是分别对“女性视角”和“中国当代女雕塑家”进行概念的界定，并进一步阐述男女艺术家产生艺术视角差异的原因与具体特征，以及从历史发展角度对不同时期的女雕塑家呈现出的女性特征进行梳理；第三部分通过对比东西方女性雕塑家的艺术创作、中国当代女雕塑家与其它媒介的女性艺术作品，来进一步阐述基于“女性视角”中国当代女雕塑家的创作；第四部分则结合中国当代女雕塑家的作品，分别从创作观念、作品形式、创作媒材、创作方式几个方面对其作品所体现出的“女性视角”进行归纳和总结。中国当代女雕塑家的艺术创作是中国当代女性艺术的重要组成部分。本文从“女性视角”出发对中国当代女雕塑家及其作品进行深度剖析，是对中国当代雕塑理论研究的有利补充，同时也为中国当代艺术发展规律的把握与总结提供了新的研究视角。
[Abstract]:In the construction of contemporary society and culture, the development of Chinese contemporary art is characterized by diversity. Female artists, as a part of a large group of contemporary Chinese artists, are more and more prominent in their creation. Increasingly become a group that can not be ignored. Chinese contemporary female sculptors, as part of this group, are also unique. The unique group of contemporary Chinese female sculptors grew up under the background of the influx of modern sculpture trends into China. On the one hand, they were influenced by the inherent patterns of national culture, on the other hand, they were impacted by various artistic trends. Faced with the great changes of the real society, the problems of choice and self-transformation, the female consciousness is more conscious. In their constant life, in practice, they express themselves, even transcend themselves, then transcend the bondage of traditional thought, break away from the discourse mode of traditional sculpture, and form the unique artistic creation concept and expression mode of Chinese contemporary female sculptors. With their unique intuition and nature as a woman, they present the characters and life stories in their eyes, forming a special artistic perspective of female sculptors. This paper focuses on female sculptors and their creation since 1980 s. Based on the analysis of the development of contemporary female sculptors in China and the characteristics of their works, the author summarizes the characteristics of women in contemporary Chinese sculptors and their works, and the concrete expression of the female perspective. This paper is divided into four parts. The first part is the introduction of this paper, mainly to clarify the content and scope of the study, to clarify the purpose and significance of the study, and to clarify the problems to be solved. The second part defines the concepts of "female perspective" and "contemporary Chinese sculptor", and further expounds the reasons and specific characteristics of the difference between male and female artists in artistic perspective. And from the perspective of historical development of the different periods of female sculptors to show the characteristics of women; the third part through the comparison of East-West female sculptors artistic creation, contemporary Chinese female sculptors and other media women's works of art, To further elaborate the creation of contemporary Chinese female sculptors based on the "female perspective". The fourth part combines the works of contemporary Chinese female sculptors, respectively from the creative concept, the form of the works, and the creative media. Several aspects of the creation of his works reflected in the "female perspective" summarized and summarized. The artistic creation of Chinese contemporary female sculptors is an important part of Chinese contemporary female art. This paper analyzes the contemporary Chinese female sculptors and their works from the perspective of women, which is a favorable supplement to the theoretical study of contemporary Chinese sculpture. At the same time, it also provides a new research angle for the grasp and summary of the development law of Chinese contemporary art.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J305

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