漆材料在雕塑创作中的运用

发布时间：2018-04-29 09:55

本文选题：漆材料 + 雕塑创作　；参考：《郑州大学》2015年硕士论文

【摘要】：漆艺在我国已有几千年的发展历史,它是一个独立的、成熟的艺术门类。然因其自身繁复的工艺技巧和相对独立的审美体系,也极大地阻碍了漆艺与其他艺术门类的融合发展。自现代艺术思潮开启以来,当代艺术的表现方法呈现丰富多元的发展现状,从观念、技法、材料的多样性出发,催生出许多不同的艺术表现样式,漆雕塑作为一门新兴的,结合了传统漆艺技法与当代雕塑语言的艺术门类也由此应运而生。由于漆雕塑是雕塑和漆艺结合的边缘学科,着属于漆立体艺术,又属于雕塑艺术的范畴,在当代对漆雕塑并没有明确定义,这里为行文方便,以下简而称之为“漆塑”。当代漆塑是伴随着当代艺术观念而发展起来的新的艺术形式,它以漆材料为媒介,以雕塑形体为载体,结合传统漆艺独特的技法、丰富多彩的颜色,与当代雕塑艺术观念相结合,创作出具有艺术性和指向性的漆塑作品。近年以来,漆塑的创作发展逐渐进入当代艺术的视野,并得到一些艺术家的认可与思考。然而,由于传统漆艺作品有其特有的工艺属性与形成模式,这在一定程度上形成了固化的创作思维,因此,漆塑这种漆艺与雕塑结合创作的艺术形式,在当下的发展过程中还属于探索与渐进阶段。材料媒介的串联与融合,必然促使创作观念的革新,这从来就不是一蹴而就的事情。如何使传统材料更好地结合现当代雕塑的创作,并重构一种新的雕塑语言?此亦本文研究之意义所在。这对雕塑创作和漆艺本身而言或许是一种新的可能,一个新的发展方向。本文将由雕塑创作中材料选择的重要性为研究的开始。对漆材料的运用进行深度的剖析,并重新对漆艺的发展沿革,及其工艺和表现方式进行了相关的梳理和总结。结合漆材料在雕塑创作中独特的艺术语言和表现形式,分析当代漆塑的审美特性。从创作观念和技术的角度出发,对漆塑的艺术语言和表现手法进行了梳理分析,并结合大众审美的认知,提出当下漆塑的创新与发展方向。通过个人的创作实践与相关的作品分析深化漆塑在实际创作中的运用与思考。
[Abstract]:Lacquer art has a history of thousands of years in China, it is an independent, mature art category. However, the combination of lacquer art and other art categories is greatly hindered by its complicated technological skills and relatively independent aesthetic system. Since the beginning of the modern art trend of thought, the expression methods of contemporary art have presented a rich and diversified development status quo. Starting from the diversity of ideas, techniques and materials, many different artistic expression styles have emerged, and lacquer sculpture is a new one. The combination of traditional lacquer techniques and contemporary sculpture language art category also came into being. Since lacquer sculpture is a marginal subject combining sculpture and lacquer art, lacquer sculpture belongs to three-dimensional lacquer art and belongs to the category of sculpture art. There is no clear definition of lacquer sculpture in contemporary times. Contemporary lacquer sculpture is a new art form developed along with contemporary art concept. It takes lacquer material as medium, sculpture form as carrier, combined with the unique techniques of traditional lacquer art and colorful colors. Combined with contemporary sculpture art concept, the painting sculpture works with artistic and directionality are created. In recent years, the creation and development of lacquer sculpture has gradually entered the field of contemporary art, and has been recognized and pondered by some artists. However, because traditional lacquer art works have their unique technological attributes and forming patterns, which to some extent form a solidified creative thinking, lacquer and plastic art forms are combined with sculpture. In the current development process, also belongs to the exploration and gradual stage. The series and fusion of material media will inevitably promote the innovation of creative ideas, which has never been accomplished overnight. How to make the traditional materials better combine the modern and contemporary sculpture creation and reconstruct a new sculpture language? This is also the significance of this study. This may be a new possibility and a new direction of development for sculpture creation and lacquer art itself. In this paper, the importance of material selection in sculpture creation will be the beginning of the study. The application of lacquer materials is deeply analyzed, and the development and evolution of lacquer art, its process and performance are summarized. Combined with the unique artistic language and expression form of lacquer material in sculpture creation, the aesthetic characteristics of contemporary lacquer sculpture are analyzed. From the point of view of creative concept and technology, this paper combs and analyzes the artistic language and expression techniques of lacquer sculpture, and puts forward the innovation and development direction of lacquer sculpture in the light of the aesthetic cognition of the masses. Through the individual creation practice and the related work analysis, deepens the lacquer sculpture in the actual creation application and the ponder.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J304

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