“看得见”和“摸得到”—浅析西方绘画从立体空间到材料触觉的雕塑性审美形式

发布时间：2018-05-13 07:02

本文选题：绘画 + 雕塑性　；参考：《上海师范大学》2015年硕士论文

【摘要】：绘画和雕塑是美术中重要的两种表现形式,二者既有许多不同点,也有很多的相同之处,两者相互影响,相互促进发展。在画面呈现立体效果,是西方绘画的一项传统,逼真地再现自然的艺术是人们最初的审美需求。古希腊文明是西方艺术文明的起源,古希腊雕塑的成就影响着整个西方文化的体系和特色的形成,可以说传统美术演变的基本节奏和规律在一定程度上受到了古希腊雕塑风格和走向的影响。在此后的西方绘画的发展中,不同时期的绘画受着时代的艺术思想支配和技法的制约,绘画中的雕塑性也呈现出不同的面貌。像古典艺术表现三维立体对雕塑的借鉴、现代艺术对雕塑的新的认识再创造等,从视觉上的“看得见”——对雕塑立体性、空间性的借鉴:在二维平面表现三维空间,表现出三维立体空间的视觉错觉;再到对富有触摸体验的“摸得到”——雕塑材料性、触觉性的运用:颜料和材料的表现,创作出具有占据一定实体空间的绘画作品。雕塑性运用在绘画创作中具有一定的审美优势,包括视觉上的冲击力、富有参与性的触摸体验、无限的想象空间、生活的趣味性等等,对未来架上绘画具有很强的借鉴意义。本文将以时间顺序,根据不同的时期选择几位具有代表性的艺术家,对他们的绘画作品进行分析,来论述绘画中的雕塑性,以“看得见”和“摸得到”两方面入手,根据时间顺序分析几位艺术家绘画作品中立体性、空间性、材料性、触觉性不同雕塑特性的体现,分析其独特的审美和表现形式以及雕塑元素的融入对未来架上绘画的影响。
[Abstract]:Painting and sculpture are two important forms of expression in art. They have many differences and similarities. They influence each other and promote the development of each other. It is a tradition of western painting to present stereoscopic effect in the picture. The art of realistic reproduction of nature is the initial aesthetic demand of people. Ancient Greek civilization is the origin of western art civilization. The achievement of ancient Greek sculpture influences the formation of the system and characteristics of the whole western culture. It can be said that the basic rhythm and law of the evolution of traditional art is influenced to some extent by the style and trend of ancient Greek sculpture. In the later development of western painting, the painting of different periods is controlled by the artistic thought of the times and restricted by the techniques, and the sculpture in painting also presents different features. For example, the classical art shows the use for reference of three-dimensional sculpture, the new cognition and re-creation of modern art to sculpture, and so on, from the visual "visible" -the reference to the three-dimensional and spatial nature of sculpture: the representation of three-dimensional space in two-dimensional plane, Show the visual illusion of three-dimensional space, and then to the rich touch experience of "touch" -sculpture material, tactile use: pigment and material performance, create a painting with a certain physical space. The use of sculpture in painting creation has certain aesthetic advantages, including visual impact, full of participatory touch experience, unlimited imagination space, life fun, and so on, which has a strong reference significance for future frame painting. This article will select several representative artists according to different periods in time order, analyze their painting works, discuss the sculpture in painting, start with "visible" and "touch". According to the time sequence, this paper analyzes the embodiment of the different sculpture characteristics in the three dimensional, spatial, material and tactile works of several artists' paintings, and analyzes its unique aesthetic and expressive forms as well as the influence of the sculpture elements on the painting on the frame in the future.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J205

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