论传统雕塑中“道具”的变迁

发布时间：2018-05-15 02:36

本文选题：道具 + 叙事性　；参考：《西南大学》2017年硕士论文

【摘要】：本文试图通过分析和研究雕塑中的“道具”,来阐述雕塑中“道具”的价值取向以及变迁过程,在多元化的背景下认识雕塑中“道具”变迁形成的新价值。传统雕塑中对“道具”的运用是在雕塑人物主体地位不改变的情况下艺术家对“道具”进行选择。为了更好地丰富作品中的故事情节和补充、说明雕塑人物的身份特征,“道具”负载着沉重的基本功能。实际上,“道具”作为雕塑中的一部分,“道具”和人物等主体一起完成了雕塑这个过程,我们从来没有把它从雕塑中单独分隔开。所以在艺术多元化的今天,我们重新关注雕塑中“道具”的独立存在是很有意义的。在雕塑中“道具”负载的社会、艺术等功能逐渐被去掉后,“道具”不再承担雕塑中的使用、技术手段等功能,它形成了一个独立的物体,审美惯性中观众的视线也开始由人转向物。同时,科学技术发生的巨大变化也对雕塑“道具”产生了一定的影响。其中,最明显的就是现成品和装置的介入改变了“道具”原有的形式和创作手段。另外,就是材料的变化、科技的介入使雕塑运用了新的创作材料,曾经在雕塑中不能用于创作的材料现在可以运用到雕塑中,这使得“道具”的表现语言变得多元化。观念的介入和大众参与是“道具”去掉功能化的缘由,新材料的突破给雕塑创作带来了新的可能性。这是后来“道具”发生泛化的主要原因。本文分为五个章节:第一章是对本选题雕塑中的“道具”作一个定义,分析广义上的“道具”与雕塑中“道具”的区别。第二章是通过分析传统雕塑中“道具”的运用,解析其主次地位、基本功能和表现形式。第三章是通过现代雕塑中“道具”的变迁分析,诠释“道具”的身份转变和去功能化后的影响。第四章是综述现代雕塑中“道具”概念变迁形成的缘由和“道具”的泛化。第五章是本文研究得到的结论以及对未来雕塑发展方向的展望。通过传统雕塑中“道具”的分析和现代雕塑中“道具”的对比,从全新的视角认识雕塑中“道具”的新价值,对它身份的转变、去功能化等现象以及“道具”概念的变迁有一个新认知。从理论结合实际考察出发,系统地分析当下雕塑艺术的发展状况,结合新材料、新观念、新形式对“道具”的影响,综述“道具”的存在方式和存在价值,总结和归纳自己在雕塑艺术创作的方向,建构自己的理论体系和思维方式。
[Abstract]:By analyzing and studying the "props" in the sculpture, this paper attempts to explain the value orientation and the changing process of the "props" in the sculpture, and to understand the new value of the changes of the "props" in the sculpture under the diversified background. The use of "props" in traditional sculpture is the choice of "props" under the condition that the subject status of sculptures remains unchanged. In order to better enrich the story plot and supplement in the works and explain the identity characteristics of the sculptures, props are loaded with heavy basic functions. In fact, "props" as a part of sculpture, "props" and characters and other subjects completed the process of sculpture, we never separate it from the sculpture. So it is meaningful to pay attention to the independent existence of props in sculpture. After the social and artistic functions loaded with "props" in sculpture are gradually removed, the "props" no longer assume the functions of the use and technical means of sculpture, and it forms an independent object. In the aesthetic inertia, the audience's sight also begins to turn from the human to the object. At the same time, the tremendous changes in science and technology also have a certain impact on sculpture props. Among them, the most obvious is that the intervention of finished products and devices has changed the original form and creative means of props. In addition, the change of materials and the intervention of science and technology make sculpture use new creative materials. Materials that were not used in sculpture can now be used in sculpture, which makes the expression language of "props" diversified. The intervention of concept and popular participation is the reason why props are removed from function, and the breakthrough of new materials brings new possibility to sculpture creation. This is later "props" to generalize the main reason. This paper is divided into five chapters: the first chapter is to make a definition of "props" in this topic sculpture, and analyze the difference between "props" and "props" in a broad sense. The second chapter analyzes the application of props in traditional sculpture, analyzes their primary and secondary status, basic functions and forms of expression. The third chapter is the analysis of the change of props in modern sculpture, the interpretation of the identity of "props" and the impact of defunctionalization. The fourth chapter summarizes the formation of the concept of props in modern sculpture and the generalization of props. The fifth chapter is the conclusion of this paper and the prospect of the future development of sculpture. Through the analysis of the "props" in the traditional sculpture and the comparison between the "props" in the modern sculptures, the new value of the "props" in the sculpture is recognized from a new angle of view, and the identity of the props is changed. The phenomenon of defunctionalization and the change of the concept of props have a new cognition. From the view of theory and practice, this paper systematically analyzes the current development of sculpture art, combines the influence of new materials, new ideas and new forms on "props", and summarizes the existence and value of "props". Summarize and sum up the direction of sculpture art creation, construct own theory system and thinking mode.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J305

【参考文献】