端砚创作中传统审美元素的研究

发布时间：2018-06-26 10:59

  本文选题：端砚 + 传统审美　； 参考：《广州大学》2017年硕士论文

【摘要】：端砚是一种文化载体,浓缩着中华传统文化审美元素,小小的一方砚,承载着千年来的传统文化内涵。如何把握对传统审美元素借鉴的度,如何把握端砚的发展方向,如何挖掘端砚的文化价值是当代端砚艺人以及文人研究的重点。本论文首先阐述了传统审美的内容,以制砚家族程氏家族的程良所制端砚为例,重点介绍了程良对端砚文化的贡献,分析他在端砚工艺上对传统审美借鉴和创新,强调要发展传统审美元素在端砚中的运用,必然要顺着传统文化的发展脉络,更深入的研究传统审美元素,由表及里,挖掘端砚的文化价值。
[Abstract]:Duan inkstone is a kind of cultural carrier, which condenses the aesthetic elements of Chinese traditional culture, and carries the connotation of traditional culture for thousands of years. How to grasp the degree of reference to the traditional aesthetic elements, how to grasp the development direction of Duan inkstone, how to excavate the cultural value of Duan Yan is the focus of contemporary Duan Yan artists and literati research. This paper first expounds the content of traditional aesthetics, taking Cheng Liang, who made ink stone in Cheng's family, as an example, mainly introduces Cheng Liang's contribution to Duan Yan culture, and analyzes his reference and innovation to traditional aesthetics in the process of making ink stone. It is emphasized that in order to develop the application of traditional aesthetic elements in Duan inkstone, it is necessary to follow the development vein of traditional culture, to study the traditional aesthetic elements more deeply, from the outside to the inside, and to excavate the cultural value of Duan inkstone.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J314.9

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本文编号：2070164