“非遗”视角下苏州玉雕的发展现状与传承研究

发布时间：2018-07-22 15:55

【摘要】：上个世纪末以来,苏州玉雕逐渐从仿制古玉的既有程式中摆脱出来,广大从业人员不断提炼传统玉文化中的优良基因,并与时代的艺术审美观与价值观相结合,在有限的玉料上追求高雅的立意与深邃的内涵,如今的苏州玉雕充满生机与活力,令全国玉雕同行瞩目。苏州玉雕以其独领风骚的技艺在中国玉雕界的享有较高地位,是存在于自然与社会中的多方面因素共同相生相克的结果,一代代的玉雕艺人演绎着苏州玉雕文化的传承与流变,构建着独特的玉雕风格。中国的玉文化历史悠久且绵延不断,可以说世界上没有任何国家像中国这样广泛的使用玉,并将其上升到一种文化的高度,玉文化渗透到中国人社会生活的方方面面,从而对国人的思想意识、文化素养以及生活习惯均产生了广泛而深远的影响。"苏州玉雕"在2008年被列入第二批国家级非物质文化遗产保护名录。苏州玉雕极具地域特色和历史影响力,开始引起社会各界的关注,但对苏州玉雕的研究与保护及其开发过程中也存在一些亟需解决的问题。如:研究不够系统、市场竞争存在盲目性、模仿抄袭严重、过于追究经济利益等。如何解决这些问题,并达到各方利益的均衡是当前苏州玉雕传承、发展及非遗保护中最为紧迫的课题,也是本文所要讨论和解决的核心问题。本文选取国家级非物质文化遗产"苏州玉雕"作为研究对象,苏州玉雕传承久远、地域特色鲜明,是中国传统工艺中的典型代表,具有较高的研究价值。本文以苏州玉雕的发展现状与非遗传承为研究对象,对苏州玉雕历史传承和苏州玉雕行业的形成原因进行探讨;然后实地调研考察听取玉雕从业人员、传承人与专家学者的真实声音,对制作工艺和传承现状进行深入研究、分析整理并通过实地考察、走访收集第一手的资料,提出苏州玉雕传承与保护的新思路。在为传承与保护苏州玉雕制作技艺提出对策的同时也为其它地区类似手工技艺的保护与研究提供一个新的切实可行的参考案例。
[Abstract]:Since the end of the last century, the jade carvings in Suzhou have gradually escaped from the existing procedures of imitation of ancient jade. The vast number of practitioners have continuously refined the fine genes in the traditional jade culture and combined them with the artistic aesthetics and values of the times. The pursuit of elegant ideas and profound connotations in the limited jade materials, today's Suzhou jade carving is full of vitality and vitality, making the national jade carving peers attention. Suzhou Jade carving enjoys a higher status in Chinese jade carving circles with its unique skills. It is the result of the common existence of many factors in nature and society. Generations of jade carvings artists have been deducing the inheritance and evolution of Suzhou jade carving culture. Build a unique style of jade carving. China's jade culture has a long and continuous history. It can be said that no country in the world has so widely used jade as China and raised it to the height of a kind of culture. Jade culture permeates all aspects of Chinese social life. Thus, the people's ideology, cultural literacy and living habits have a broad and far-reaching impact. " Suzhou Jade carving was included in the second batch of national intangible cultural heritage protection list in 2008. The jade carving in Suzhou, with its regional characteristics and historical influence, began to attract the attention of all walks of life. However, there are still some problems to be solved in the research, protection and development of the jade carving in Suzhou. For example, research is not systematic enough, market competition exists blindness, imitating plagiarism is serious, too investigate economic benefit and so on. How to solve these problems and achieve the balance of the interests of all parties is the most urgent issue in the inheritance, development and protection of jade carvings in Suzhou at present, and is also the core problem to be discussed and solved in this paper. This article selects the national intangible cultural heritage "Suzhou Jade carving" as the research object. Suzhou Jade carving is a typical representative of Chinese traditional arts and crafts and has high research value. In this paper, the development of Suzhou jade carving status and non-heritage as the research object, to Suzhou jade carving historical heritage and the formation of Suzhou jade carving industry, and then field investigation and listen to jade carving practitioners, The real voice of the inheritors and experts and scholars deeply studied the production technology and the present situation of inheritance, analyzed and sorted out and collected first-hand information through field investigation, and put forward a new idea of inheritance and protection of Suzhou jade carvings. In order to inherit and protect the Suzhou jade carving technology, it also provides a new practical reference case for the protection and research of similar handicraft techniques in other areas.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J314.9

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