意象观念在当下中国雕塑创作中的传承与发展

发布时间：2018-08-09 20:18

【摘要】：本文主要论述了意象观念在当下中国雕塑创作中的传承与发展,体现了吴为山教授作品中所表现出的独具匠心与非比寻常的艺术力量。吴为山的雕塑极具东方人文情怀,结构语言时代感强,在写意中传神。我清楚地感受到吴为山先生不仅非常了解埃及、希腊、罗马的文化艺术精髓,而且立足于中国五千年文化,巧妙地将中西方文化自然贯通以自己的思想和情感,创造东方语境下的时代雕塑样式,阐明了当代中国雕塑创作与意象观念融合的关系。在中国的雕塑创作过程中,意象观念占据重要地位,可谓意象在先。这也是东西方艺术观念的差别。所以,当这样一个充满创新和追求艺术个性的时代到来之际,已经与自己的传统风格渐趋渐远了近100年的中国雕塑,正呼唤着其文化精神的重塑,需要中国大量的雕塑家重拾写意传统,弘扬中国传统雕塑的精神。“写意精神”并不是一个新的概念,它在中国传统绘画和传统书法中早已崭露头角,并有着极其深远的影响,取得了共鸣。但就中国雕塑来说,它不似传统绘画,没有一套完整的理论,很少人能自发尊重、理解并践行中国雕塑所独有的写意精神。因为缺乏理论的支持和指导,中国传统雕塑体系的重建举步维艰,雕塑语言更是难以焕发新意。为了紧跟时代步伐,本文对“写意精神”做了全面的解读,包括其内涵与其对中国传统雕塑的作用及二者的融合等,目的是通过现象看本质,寻找其时代内涵,使我国传统的艺术精神在继承的基础上发展,在发展的过程中有所创新,使现代中国雕塑更具时代担当。作为后来人,我将对吴为山这位开拓者进行深度解析,探索其写意雕塑中的“写意精神”,并由此探寻我的创作方向,在以后的雕塑作品中体现出极富内涵的中华文化的精神。
[Abstract]:This paper mainly discusses the inheritance and development of the image concept in the present Chinese sculpture creation, which embodies the unique and unusual artistic power of Professor Wu Weishan's works. The sculpture of Wu Wei Shan has the oriental humanism feeling extremely, the structure language time feeling is strong, in freehand brushwork is vivid. I clearly feel that Mr. Wu Weishan not only knows very well the essence of culture and art in Egypt, Greece, and Rome, but also bases himself on the 5,000 years of Chinese culture and cleverly penetrates Chinese and Western culture with his own thoughts and feelings. The creation of contemporary sculpture style in the oriental context illustrates the relationship between contemporary Chinese sculpture creation and the fusion of image concepts. In the process of sculpture creation in China, the concept of image occupies an important position. This is also the difference in artistic concepts between the East and the West. Therefore, when such an era of innovation and the pursuit of artistic individuality comes, the Chinese sculpture, which has been moving away from its traditional style for nearly 100 years, is calling for the remolding of its cultural spirit. A large number of sculptors in China need to regain the tradition of freehand brushwork and carry forward the spirit of Chinese traditional sculpture. The spirit of freehand brushwork is not a new concept, it has already emerged in Chinese traditional painting and traditional calligraphy, and has a profound influence, and has gained resonance. But as far as Chinese sculpture is concerned, it is not like traditional painting, without a complete theory, few people can spontaneously respect, understand and practice the unique freehand brushwork spirit of Chinese sculpture. Because of the lack of theoretical support and guidance, Chinese traditional sculpture system reconstruction is difficult, sculpture language is difficult to radiate new ideas. In order to keep up with the pace of the times, this paper makes a comprehensive interpretation of the spirit of freehand brushwork, including its connotation, its function on the Chinese traditional sculpture and the fusion of the two. The purpose is to look for the essence of the times through the phenomenon, and to find the connotation of the times. The traditional artistic spirit of our country develops on the basis of inheritance, innovates in the process of development, and makes modern Chinese sculpture bear the responsibility of the times. As a later person, I will deeply analyze Wu Weishan, a pioneer, and explore the "freehand brushwork spirit" in his freehand brushwork, and thus explore my creative direction, which will reflect the spirit of Chinese culture with very rich connotation in the later sculpture works.
【学位授予单位】：西安建筑科技大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J305

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