论《黄鹤楼》诗与我之雕塑‘黄鹤归来兮’之关系

发布时间：2018-08-13 19:29

【摘要】：中国自古有诗、书、画一体之说,许多画家更是直接用诗词的意境作画。齐白石曾受老舍之托以清人查白诗句《蛙声十里出山泉》作画,画面上一道山泉急泻而下,几只小蝌蚪在水中嬉戏玩耍,不见青蛙,却仿佛听得蛙声一片。构图之妙,令人倾倒。齐白石借蝌蚪完美地表达出诗中的意境,可说是“诗中有画,画中有诗”。有人把唐宋诗词绘成300幅画作出版,帮助人们用另一种形式读解诗词。雕塑作为视觉语言,也同样可以用直观的视觉形象来体现诗的意境。总之,作为传统文化的诗词与当代雕塑相互关照,共同作为文化的组成部分,所起的文化发展作用是毋庸置疑的。利用传统文化资源-诗做切入点,从时代背景和推动文化发展的角度出发,探讨人文精神在当下的失落与回归,对传统文化资源作纵向寻觅,求取返本开新。探寻和发掘传统文化资源中包含的“现代性”,进行现代视觉转换,引起当代人内心深处的共鸣。诗与雕塑的交融,产生了新的审美意境,赋予观者更多的艺术想象力和视觉感受。传统文化对雕塑产生影响和渗透是必然的,同时是应该格外被重视和利用的。我借用寓意深刻、文化特征鲜明的古诗词为作品命名,想进一步体现文化脉络的延伸性,营造一种饱含诗情与画意和耐人寻味的审美意境。
[Abstract]:Since ancient times, there have been poems, books and paintings in China, and many painters use the artistic conception of poetry directly. Qi Baishi was commissioned by Lao She to draw by the Qing Dynasty's search white poem "Frog sound ten miles out of the mountain spring", the picture of a mountain spring rushing down, several tadpoles playing in the water, not the frog, but as if to hear a frog sound. The composition is wonderful and fascinating. Qi Baishi perfectly expresses the artistic conception of poetry by tadpoles, that is, "there are paintings in poems, there are poems in paintings". Tang and Song poems were painted into 300 paintings, helping people to interpret poems in another form. Sculpture, as a visual language, can also use visual images to reflect the artistic conception of poetry. In short, as the traditional culture of poetry and contemporary sculpture care each other, together as a part of culture, the role of cultural development is beyond doubt. Based on the background of the times and the angle of promoting the development of culture, this paper probes into the loss and return of the humanistic spirit in the present time by using the traditional cultural resources-poetry as the starting point, and makes a longitudinal search for the traditional cultural resources in order to open up new ones. To explore and explore the "modernity" contained in the traditional cultural resources, to carry on the modern visual transformation, causes the deep resonance in the heart of contemporary people. The combination of poetry and sculpture has created a new aesthetic conception, giving the viewer more artistic imagination and visual feelings. The influence and penetration of traditional culture on sculpture is inevitable and should be paid more attention to and utilized at the same time. I use the ancient poems with profound moral meaning and distinct cultural characteristics to name the works. I want to further reflect the extension of the cultural context and create a kind of aesthetic conception full of poetic and pictorial meaning and thought-provoking.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I207.22

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