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金元时期晋南“汾河木雕流派”的风格及演变

发布时间:2018-09-14 12:34
【摘要】:金元时期,晋南汾河流域活跃着一个在佛教造像方面取得非凡成就的木雕流派,其影响力可以和出自同一地区的“朱好古画派”相媲美。和壁画一样,这一木雕流派的绝大部分作品也在民国年间流失海外。通过对佛像装脏相关墨书及碑刻材料的梳理,笔者考证出美国两家著名博物馆所收藏的两尊木雕菩萨像的出处为晋南汾河流域,进而又通过对三组来自同一地区且有明确纪年的木雕的比较,分析了“汾河木雕流派”的时代风格及其历史演变,并指出这一木雕流派为14世纪初于大地震后兴起的“朱好古画派”提供了图像和风格上的借鉴。
[Abstract]:In the Jin and Yuan dynasties, the Fenhe River valley in southern Shanxi was active with a woodcarving school that had made remarkable achievements in Buddhist statues, and its influence could be comparable to that of the "Zhu Haogu painting School" from the same area. Like the murals, most of the works of this woodcarving school were lost overseas in the Republic of China. By combing the relevant ink books and inscription materials on Buddhist statues, the author finds out that the origin of the two woodcarving bodhisattva statues in two famous museums in the United States is the Fenhe River basin in Jinnan. Then, through the comparison of three groups of wood carvings from the same area and with a definite chronology, this paper analyzes the style and historical evolution of Fenhe woodcarving school. It is pointed out that this school of woodcarving provides a reference for the "Zhu Haogu painting School", which rose after the earthquake in the beginning of the 14th century.
【作者单位】: 美国宾夕法尼亚大学东亚系;


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