清末竹刻名家及其艺术风格

发布时间：2018-09-19 12:59

【摘要】：正中国竹刻艺术发展到清后期,风格已渐趋平浅单一。虽然此期从事竹刻的艺人数量明显多于以往各时期,但能堪称艺术大家的却已为数不多。从传世作品来看,有尚勋、王恒(梅邻)、方洁、韩潮、蔡照五位竹人较为出色。他们在继承前代竹刻大家精湛技艺的基础上,努力探索,力求创新,形成了自身独特的艺术风格。比如:尚勋,在继承张希黄留青技法的同时,于题材上另辟蹊径,突出表现以人物为主题;王梅邻,既取资周芷岩以画法入竹于浅浮雕山水人物,又吸收邓渭擅以书法入竹之长而工于小楷;方洁,借鉴了潘西凤浅刻人物肖像的艺术特点与邓渭之“陷地阳文”技法,糅合创造出“陷地浅浮雕”以擅刻人物写真肖像;韩潮,专攻行草书法,尤擅摹刻金石款拓本;蔡照,与著名“海派
[Abstract]:Chinese bamboo carving art developed to the late Qing Dynasty, the style has gradually become shallow and single. Although the number of bamboo-engraving artists in this period is significantly higher than in previous periods, there are few artists who can be regarded as artists. From the works, there are Shang Xun, Wang Heng (Mei Ling), Fang Jie, Han Chao, Cai Zhao five outstanding bamboo people. On the basis of inheriting the exquisite craftsmanship of the former generation of bamboo carvings, they made great efforts to explore and innovate and formed their own unique artistic style. For example: Shang Xun, while inheriting Zhang Xi's Huang liuqing technique, at the same time, has a different approach to the subject matter, highlighting the figure as the theme; Wang Mei-ling, who took Zhou Zhiyan as a drawing method to draw bamboo into the shallow relief landscape figure, He also absorbed Deng Wei's ability to use calligraphy to enter bamboo and worked in small block letters; Fang Jie, drawing lessons from the artistic characteristics of Pan Xifeng's shallow carved portraits and Deng Wei's techniques of "sinking earth in Yangwen", combined to create "shallow relief sculptures" to portray real portraits of characters who were good at engraving; Han Chao, Majored in cursive writing, especially in copying gold and stone inscriptions; Cai Zhao, and the famous "Shanghai School"
【分类号】：J309.2

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