从精神表达视角探究中西方传统雕塑造型语言

发布时间：2018-10-07 20:59

【摘要】： 本文从雕塑作品所呈现出来的精神表达入手分两大块。首先,对西方历史上传统雕塑发展的几个历史时期的大师及作品在造型方式、表现语言、形体特点等方面进行分析。有的从整个时代的总体审美追求与造型特征出发,如古希腊古典时期雕塑；有的从相同题材的作品前后比较研究,如多纳泰罗、委罗基奥、米开朗基罗、贝尼尼的《大卫》之比较；有的就大师作品的总体特征展开,分析其造型规律、审美特征、表现方式,如对米开朗基罗、罗丹、布德尔、马约尔、马里尼、祖尼加的分析。力图客观透彻理解大师们的创作理念原则是如何表现人的智慧、力量和精神境界的,也探讨了大师们在创作中对传统的继承与超越。其次,通过对我国古代雕塑的理性分析,揭开外在形式的面纱,窥见其内涵的审美规律和精神实质。本文采用了纵向比较研究和横向联系的方法,主要篇幅是对西方传统雕塑的探讨,挖掘造型的本质规律,对于有着千百年自觉文化传承的西方传统雕塑,一代代大师不懈努力创新为我们提供了典范教材,在继承中超越是我们永远的法则。本文虽主要探究的是西方历史上雕塑艺术的杰出代表,但也对我国古代劳动人民智慧和汗水的结晶——中国古代雕塑艺术品,进行了精神表达的归纳概括及造型语言分析。吸收本民族文化养分,发扬民族文化精神,用中华民族上下五千年的灿烂文明,增强我们的民族自信心,我们站在当代艺术多元化潮流中寻找表达语言,我们不应忘记我们的“根”!民族的就是世界的! 希望通过本文的呈现促使我们思考,整合形成明确的意识观念、价值目标、找到自己最充分的表达语言。
[Abstract]:This article starts with the spiritual expression presented in the sculpture works and divides it into two parts. First of all, the author analyzes the masters and works of several historical periods in the development of traditional sculpture in western history in the aspects of modeling mode, expression language, body characteristics and so on. Some proceed from the overall aesthetic pursuit and styling characteristics of the entire era, such as sculpture during the ancient Greek period, and some make a comparative study of the works of the same subject matter before and after, such as Donatello, Veroquio, Michelangelo, The comparison of Benigni's David; some of them analyze the general characteristics of the master's works, such as Michelangelo, Rodin, Buder, Mayor, Marini and Zuniga. This paper tries to understand objectively and thoroughly how the principles of the masters' creative ideas express the wisdom, strength and spiritual state of human beings, and probes into their inheritance and transcendence to the tradition in their creation. Secondly, through the rational analysis of ancient sculpture in our country, the external form is unveiled, and the aesthetic law and spiritual essence of its connotation are peeped out. This paper adopts the method of longitudinal comparative study and horizontal connection. The main part is to explore the western traditional sculpture, to excavate the essential law of modeling, and to study the western traditional sculpture, which has thousands of years of conscious cultural heritage. Generations of masters unremitting efforts to innovate for us to provide a model textbook, in the inheritance of transcendence is our eternal rule. Although this article mainly explores the outstanding representative of sculpture art in western history, it also generalizes and generalizes the spiritual expression of the ancient Chinese sculpture art, which is the crystallization of the wisdom and sweat of the working people in ancient China. Absorbing the nutrients of our national culture, carrying forward the spirit of national culture, using the splendid civilization of the Chinese nation up and down five thousand years, and enhancing our national self-confidence, we stand in search of expression language in the trend of diversity of contemporary art. We should not forget our roots! The nation is the world! It is hoped that through the presentation of this paper, we can think, integrate and form a clear sense of consciousness, a value goal, and find our own full expression language.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J305

【相似文献】