地域性传统手工艺的传承与创新研究

发布时间：2018-10-10 13:48

【摘要】：随着我国经济的发展，在艺术领域，民间美术受到的关注有增无减，现今对传统文化的重视，促进了民间美术研究工作的发展，也在这一领域相继取得了诸多建设性成果，这不仅是大众艺术审美水平不断提高的结果，也是传统文化与艺术理论在不断发展的表现。抚顺是我国能源型工业城市，素有煤都的美誉。七千年的历史，多民族的融合，，让抚顺依托地区特色，发展出精雕煤这一传统手工艺。精雕煤的原料煤精,产自抚顺西露天煤矿。煤精又称黑琥珀、石墨精，抚顺当地称之为“嘎巴力”，是雕刻工艺品与首饰制作的上等材料。我国煤精主要产地有辽宁抚顺、陕西铜川、山西大同等地，其中属抚顺煤精质地最为精良。煤精雕刻工艺是煤炭业的衍生物，而生于民间的特征，使雕刻的主题大多以民俗文化为主，现已成为我国重要的非物质文化遗产之一，其包涵的历史文化价值不言而喻。现如今，抚顺煤精原料殆尽，如何解决这一文化遗产的延续，怎样对这一传统手工艺进行保护与传承，是我们目前研究的首要任务。为此，本文通过考察原料出产地，走访民间艺人，搜集史实资料，了解抚顺煤精雕刻工艺的文化内涵，深入认识传统煤精雕刻的技艺方法，探索在当今文化与科技多元化背景中煤精雕刻工艺发展的新途径。本文以地域性传统手工艺煤精雕刻保护、传承与创新为主线，分析保护与传承，民俗文化、社会经济等之间的联系，从非物质文化遗产的开发价值入手，分析现代文化生态与当今科技手段如何相互融合。通过剖析抚顺煤精雕刻工艺的特征、造型与制作方法以及如何表现原料本质的文化属性等方面，为地域性传统文化的发展提供可参考依据，并为抚顺煤精雕刻工艺的保护、传承与发展寻求新的途径。文章的最后对煤精雕刻工艺进行文字形式的记录性保护，即为工艺的传承与创新寻求一种新的方法。
[Abstract]:With the development of our country's economy, the attention of folk art has been increasing in the field of art. Nowadays, the attention paid to traditional culture has promoted the development of folk art research, and has also made many constructive achievements in this field. This is not only the result of the continuous improvement of the aesthetic level of popular art, but also the development of traditional culture and art theory. Fushun is an energy-based industrial city in China, known as the reputation of coal capital. Seven thousand years of history, multi-ethnic integration, let Fushun rely on regional characteristics, the development of fine carved coal this traditional handicraft. Fine carved coal raw coal concentrate, production from Fushun West opencast coal mine. Coal essence, also known as black amber, graphite essence, Fushun local call "Gabali", carving crafts and jewelry made of superior materials. The main producing areas of coal concentrate in China are Fushun, Liaoning, Tongchuan, Shanxi Datong and other places, among which Fushun coal essence is the most excellent. The carving process of coal essence is a derivative of the coal industry, but born in the folk, the main theme of carving is folk culture, which has become one of the important intangible cultural heritage of our country, and its historical and cultural value is self-evident. Now, Fushun coal essence raw material is exhausted, how to solve the continuation of this cultural heritage, how to protect and inherit this traditional handicraft, is the primary task of our current research. Therefore, by investigating the origin of raw materials, visiting folk entertainers, collecting historical facts, understanding the cultural connotation of Fushun coal essence carving technology, and deeply understanding the traditional techniques of coal fine carving, To explore a new approach to the development of coal fine carving technology in the background of cultural and scientific diversity. This paper takes the protection, inheritance and innovation of regional traditional handicraft coal fine carving as the main line, analyzes the relationship between protection and inheritance, folk culture, social economy, and starts with the development value of intangible cultural heritage. This paper analyzes how the modern cultural ecology and the present scientific and technological means merge together. By analyzing the characteristics of Fushun fine coal carving technology, modeling and making methods, and how to express the cultural attributes of the essence of raw materials, this paper provides a reference basis for the development of regional traditional culture, and also provides the protection of Fushun coal fine carving technology. Inheritance and development seek new ways. At the end of this paper, a new method for the inheritance and innovation of the process is proposed.
【学位授予单位】：沈阳大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J314.9

【共引文献】