选择:全球化状况下的积极回应

发布时间：2018-12-31 08:09

【摘要】：百年一瞬,二十世纪即将成为历史。我们应邀主持这具有历史意义的一期《观察家》栏目。自九十年代初中国雕塑转型以来,雕塑界发生了巨大的变化。尤其是在1992年的首届“当代青年雕塑家邀请展”以来的八年里,不仅各种雕塑活动日益频繁,而且最重要的是雕塑界摆脱了’85美术运动时期对绘画的追随,明确了自己的独立身份,提高了自身的问题意识和学术自觉,使雕塑在绘画界已失却问题指向的时候独自担当起艺术探索的重任。同时,越来越多的批评家介入到雕塑的展览、研究和评论中来,从而推动了雕塑创作的繁荣。然而,近年来,随着中国日益融入世界,全球化的现实又向我们提出了新的问题。它所带来的社会、文化以及国际艺术情境的变化,不仅使艺术家(雕塑家)面临着新的选择,也同时为我们以一种新的视角重新审视中国二十世纪艺术的历程以及中国艺术的现代性问题提供了可能。正是在这种状况下,由中国美术学院和深圳雕塑院主办的了以“冲突与选择”为策展主题的“当代青年雕塑家邀请展(第二回)”,邀请了全国二十余位批评家和雕塑家与七十五位参展者共同研讨了中国当代雕塑的现状及其未来的可能。这里发表的就是此次研讨的部分成果。
[Abstract]:For a hundred years, the twentieth century is about to become history. We were invited to host this historic issue of the Observer. Since the transformation of Chinese sculpture in the early 1990's, great changes have taken place in the sculpture world. Especially in the eight years since the first "Contemporary Young sculptor Invitational Exhibition" in 1992, not only have various sculpture activities become increasingly frequent, but also, most importantly, the sculpture community has got rid of the pursuit of painting during the'85 Art Movement. It clarifies its independent identity, improves its awareness of problems and academic consciousness, and makes sculpture bear the heavy responsibility of artistic exploration alone when the painting circle has lost its point of view. At the same time, more and more critics get involved in sculpture exhibition, research and comment, thus promoting the prosperity of sculpture creation. However, in recent years, with China becoming more and more integrated into the world, the reality of globalization has posed new problems to us. The changes it brings to society, culture and international art not only make artists (sculptors) face new choices, At the same time, it provides the possibility for us to re-examine the history of Chinese 20th century art and the modernity of Chinese art from a new perspective. It was in this context that the "Contemporary Young sculptors Invitational Exhibition (second episode)", organized by the China Academy of Fine Arts and the Shenzhen Sculpture Institute, was organized under the theme of "conflict and Choice". More than 20 critics and sculptors from China and 75 exhibitors were invited to discuss the present situation and the possibility of the future of Chinese contemporary sculpture. Here are some of the results of this study.
【分类号】：J305

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