“传统艺术语境”下现代中国动画制作模式

发布时间：2018-03-12 10:39

本文选题：有限动画　切入点：全动画　出处：《湖北美术学院》2017年硕士论文　论文类型：学位论文

【摘要】：中国动画经历了很长时间的冰冻期,直到近些年国家再次重视动漫产业,才使动画行业有了前景可观的发展。然而在观察我国动画作品的时候,发现一些令人无奈甚至痛惜的现象:我国的动画发展历程跳过了全动画这一发展阶段,这本身就是不够成熟的,而现今大部分的商业动画公司和工作室直接生搬硬套国外的有限动画制作模式,必然会产生很多问题。当然,全动画和有限动画的制作模式各具特色,是无法互相替代的。对于国内业界发展产生的问题,如何让有限动画接近甚至达到全动画的制作效果,我认为关键在小原画的运用上。本文从本次毕业创作《still》的创作过程中发现的问题出发,结合毕业创作过程中对小原画的运用,重点分析小原画,改变理念,旨在寻求新的模式,推动“传统艺术语境”(1)下中国动画产业前进的步伐。
[Abstract]:Chinese animation has gone through a long period of freeze, until the country paid attention to the animation industry again in recent years, which made the animation industry have a promising development. However, while observing the animation works in China, Find some helpless and even deplorable phenomena: our animation development process skipped the whole animation stage of development, which itself is not mature, However, most commercial animation companies and studios directly adapt foreign limited animation production models, which are bound to cause a lot of problems. Of course, the production models of full animation and limited animation have their own characteristics. There is no substitute for each other. For the problems arising from the development of the domestic industry, how to make the limited animation close to or even achieve the production effect of the full animation, I think the key lies in the application of the original painting. This paper starts from the problems found in the process of creating "still" in this graduation, combining with the application of the small original painting in the process of graduation creation, focusing on the analysis of the small original painting, changing the idea, in order to seek a new model. Push forward the pace of Chinese animation industry under "traditional art context".
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954

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