中国文革前动画艺术的成功及对当今动漫现象思考

发布时间：2018-03-14 00:22

本文选题：中国学派　切入点：民族化　出处：《湖南师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：我国动画艺术的发展经历了两个高峰期。第一个高峰期是从新中国成立到文革前,当时的国产动画电影注重民族性与艺术性相结合,创作出的动画电影借鉴了大量的民族传统艺术形式,体现了浓郁的民族风格特点,被誉为“中国学派”。此后,我国动画在文革时期停止了发展。到了20世纪80年代,“中国学派”动画电影在走出文革的阴霾后,涌现出不少杰作,达到创作上的第二个高峰。而中国动画影片在20世纪90年代后,徘徊在超越过去的成功与国际风格接轨的理想中,逐渐丧失了以前特有的民族风格,加之动画创作以及动画市场运作方面的不成熟,导致制作出的动画作品成为一个不洋不土的、没有艺术气质的低端产品。本文以中国当下动画产业的发展为理论研究基础,以中国文革前动画电影的成功为视角,阐述其集中体现了一个民族的基本审美情调,并深入分析了文革前动画电影的艺术性。文章提出：中国动画若想发展,就必须立足本土风格,发扬民族文化魅力,这样才能在新形势、新挑战下再创佳绩。笔者在对文革前民族风格动画影片的研究基础之上,对中国当下动画影片如何从民族风格动画电影中汲取营养,如何将动画与市场相结合,提出了一些观点。
[Abstract]:The development of animation art in China has experienced two peaks. The first peak period was from the founding of New China to before the Cultural Revolution. At that time, domestic animation films focused on the combination of nationality and artistry. The animated films, which draw lessons from a large number of traditional national art forms and embody the characteristics of rich national styles, are known as the "Chinese School". Animation in China stopped developing during the Cultural Revolution. By 1980s, the "Chinese School" animation film emerged many masterpieces after it came out of the shadow of the Cultural Revolution. Reached the second peak in creation. Since 1990s, Chinese animation films have wandered in the ideal of surpassing past successes in line with international styles, and gradually lost their national style, which was unique to the past. In addition, animation creation and animation market operation are immature, resulting in the production of animation works into a non-native, no artistic temperament of low-end products. Based on the current development of animation industry in China and the success of animation film before the Cultural Revolution, this paper expounds that it embodies the basic aesthetic sentiment of a nation. The article points out that if Chinese animation wants to develop, it must base itself on the local style and carry forward the charm of national culture in order to be in the new situation. On the basis of the research on the animation film of national style before the Cultural Revolution, the author discusses how to draw nutrition from the animation film of national style, how to combine the animation with the market, how to draw nutrition from the animation film of national style, and how to combine the animation with the market. Some points are put forward.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J954

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