论唐代怨刺诗学的发展历程——以李、杜及其接受为中心

发布时间：2018-01-21 05:28

本文关键词： 李商隐诗新乐府讽谕诗三百篇六义诗教创作理论同元使君舂陵行美刺《与元九书》 　出处：《文艺研究》2017年08期 　论文类型：期刊论文

【摘要】：李、杜是盛唐怨刺诗学的代表人物,皆标举风雅,推崇"微婉"。但李多用比兴,而杜多直接赋写,艺术上有隐、显之别。中唐元、白重倡风雅比兴,以"六义"为标准,主要受杜甫、元结这一派影响,具有明显的功利主义倾向。元、白新乐府皆学杜甫,各有取径,白居易成就更高。李商隐越过汉儒诗教,将怨刺诗学直接《三百篇》,创作上具有直言无隐、放言无忌的特点,故不免招致"思无不邪"的批评;不过,他兼学李、杜而能变化,既能深广地反映现实,又在艺术上颇为隽永,由此成为唐代怨刺诗学的又一大宗。
[Abstract]:Li and du are the representative figures of ci poetics in the prosperous Tang Dynasty, all of them show elegance and praise "slight euphemism". However, Li often uses Bixing, and du duo writes directly, which is hidden and distinct in art. In the middle Tang Dynasty, the white emphasis is on the promotion of elegance and elegance. "six righteousness" as the standard, mainly by du Fu, Yuanjie this school of influence, has a clear utilitarian tendency. Yuan, Bai Xin Yuefu all learn du Fu, each has a path, Bai Juyi's achievements are even higher. Li Shangyin over Han Confucian poetry. The poetics of complaint and thorns is directly < 300 articles >, and its creation has the characteristics of direct words without concealment and words without scruples, so it can't avoid the criticism of "thinking innocently"; However, he also studied Li, du can change, can reflect the reality, but also in art is meaningful, and thus become the Tang Dynasty, another bulk of poetics.
【作者单位】：上海师范大学人文与传播学院;
【基金】：国家社科基金青年项目“晚唐文学变局中的温李新声研究”(批准号:12CZW027) 上海市高校高峰学科建设计划资助“中国语言文学”成果
【分类号】：I207.22
【正文快照】： 怨刺是中国古典诗论的核心范畴之一,也是唐人复古诗学的重要组成部分。李、杜是唐代怨刺诗学的代表人物,中唐元、白、晚唐李商隐对诗、骚怨刺传统的发展,也都有对李、杜怨刺诗学的扬弃这一重要环节。李商隐《献侍郎巨鹿公启》谓中、晚唐之际诗风“推李、杜则怨刺居多”(1),虽

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