论席慕蓉诗歌中的蒙古书写与族群文化记忆

发布时间：2018-01-22 14:24

本文关键词： 席慕蓉蒙古书写镜像表达审美体认文化记忆　出处：《当代文坛》2017年06期 　论文类型：期刊论文

【摘要】：席慕蓉的诗歌创作与其蒙古族裔身份有着密切联系,但从其诗歌创作的前后期转变和自我建构的视角来考察其蒙古书写以及族群文化记忆,则历来被学界所忽视。战争离散经验下诗人身份和语言的"异质性",引发诗人自我认同的危机,构成席慕蓉早期诗歌文本中的镜像表达以及内在风格张力;后期"返乡"的多重时空体验,促使诗人在对蒙古在地景观的审美化书写中,将想象的原乡提升到文化原乡和心灵原乡的高度,诗人分裂的自我形象也在蒙古书写的审美体认中得以重塑。在对蒙古游牧文化和族群生存境遇的关照思考下,诗人着力批判了现代性视域中蒙古少数民族的心灵隐痛,以"史诗性"诗歌创作重构蒙古族群的文化记忆,表现出诗人游移于双乡之间"和而不同"的民族文化观。
[Abstract]:Xi Murong's poetry creation is closely related to his Mongolian ethnic identity, but from the perspective of the transformation and self-construction of his poetry creation, he examines his Mongolian writing and ethnic cultural memory. The "heterogeneity" of the poet's identity and language caused the crisis of the poet's self-identity, which constituted the mirror expression and the internal style tension in Xi Murong's early poetry texts. In the later period, the multiple space-time experience of "returning to hometown" prompted the poet to elevate the original country of imagination to the level of culture and soul in the aesthetic writing of Mongolian landscape. The split self-image of the poet has also been reshaped in the aesthetic recognition of Mongolian writing, and it is under the consideration of Mongolian nomadic culture and the living conditions of ethnic groups. The poet focuses on criticizing the spiritual pain of the Mongolian minority in the perspective of modernity and reconstructing the cultural memory of the Mongolian group with the creation of "historical poetry". It shows the poet's view of national culture of "harmony but difference" between the two townships.
【作者单位】：达州职业技术学院;
【分类号】：I207.25
【正文快照】： 席慕蓉自20世纪80年代起便为广大读者所熟知,她的早期作品如《七里香》《无怨的青春》等,因其明丽简净的诗歌风格和对青春、离别、命运等人生命题的缅想而备受关注。学界在将其创作纳入新诗谱系的同时,对其诗歌的认识也往往止步于她感伤的青春书写,忽视了其诗歌创作的转变和文

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