明代中后期徽剧艺术中生命意识萌动的镜像深描

发布时间：2018-01-26 15:30

  本文关键词： 明中后期 徽剧艺术 生命意识　出处：《江淮论坛》2017年06期 　论文类型：期刊论文

【摘要】：明朝中后期,由于社会思潮的转向,对生命的赞扬、生命意识的彰显成为徽剧舞台上主流话语,舞台上下、戏曲内外对生命意识萌动的敏锐感触和着意刻画使得徽剧艺术逐渐走出程朱阙里的传统宗法世界,走向更加宽阔的时代舞台,呈现出一派繁荣的景象。本文对徽剧历史典籍中的"考据"和"辞章"、徽剧赖以生存的文学语境变迁进行分析,从而展示徽剧的时代脉动——徽剧舞台剧本的情感主题和徽剧舞台艺术塑造生命面相。
[Abstract]:In the middle and late Ming Dynasty, due to the turn of the social trend of thought, the praise of life, the manifestation of life consciousness became the mainstream discourse on the stage of Huizhou opera, all over the stage. The sharp feeling and intention of the life consciousness inside and outside of the opera make the Huiju opera art gradually walk out of the traditional patriarchal world of Cheng Zhu que to a wider stage of the times. This paper analyzes the "textual research" and "ci Zhang" in the historical books of Hui Opera, and the changes of literary context on which Huizhou opera depends for survival. So as to show the pulse of the times-the emotional theme of the stage script and the art of Huiju stage to shape life.
【作者单位】： 安徽大学艺术学院;
【分类号】：I207.36
【正文快照】： 徽州被誉为“江南邹鲁”、“程朱阙里”,明前期的学术思想,传承了南宋以来独尊朱子之学的学术传统,形成了“讲之熟、说之祥、守之固,则惟推新安之士为然”[1]7。“孝”、“义”、“理”是文学艺术形式的主旨,如宣扬女性品德规范的《烈女记》、《四德记》,宣扬孝道的《新编目连，

本文编号：1465959