王昌龄以“意”为中心的创作论及其唯识学渊源

发布时间：2018-02-15 20:39

本文关键词： 王昌龄诗学《论文意》唯识宗与诗学唐代诗学意与书论意与诗论　出处：《复旦学报(社会科学版)》2017年04期 　论文类型：期刊论文

【摘要】：本文集中讨论王昌龄诗学研究中两个紧密相关、尚待探索的重要课题:一是王氏《论文意》中多义的"意"所隐藏的系统文学创作理论,二是王氏"意"与唯识八识的"意"、"意识"的内在关联。为了破解"意"的多重意义,笔者首先从上下文来揣摩、判断"意"的不同指涉,然后在一个更广泛的哲学、美学背景下,分析王氏如何从佛、道两家"意"的角度来观察创作过程的不同阶段以及它们之间的关系,并作了充分阐述。本文还对王氏的"意"和唯识八识的"意"、"意识"进行了平行比较,发现后者很可能为王氏提供了观察文学创作过程的新视角,帮助他改造陆机和刘勰"意-象-言"说,在意和象之间加入"境"而建构起"意-境-象-言"的新框架,从而发展出自己独特的、带有明显佛教风格的文学创作论。
[Abstract]:This paper focuses on two important topics in the study of Wang Changling's poetics, which are closely related and need to be explored. One is the theory of systematic literary creation hidden by the polysemous "meaning" in Wang's thesis. The other is the inner connection between Wang's "meaning" and the "meaning" and "consciousness". In order to decipher the meaning of "meaning", the author first tries to understand and judge the different meanings of "meaning" from the perspective of context, and then in a broader philosophy. Under the background of aesthetics, the author analyzes how Wang observes the different stages of the creative process and the relationship between them from the perspective of Buddhism and Taoism. This paper also makes a parallel comparison between Wang's "meaning" and the "meaning" and "consciousness" of only the eight senses, and finds that the latter may provide Wang with a new angle of view to observe the process of literary creation. To help him reform Lu Ji and Liu Xie's theory of "meaning-elephant-speech", to add "boundary" between mind and elephant and to construct a new frame of "meaning-environment-elephant-speech", thus develop his own unique literary creation theory with obvious Buddhist style.
【作者单位】：伊利诺伊大学香槟校区东亚语言文学系;
【基金】：香港研究资助局“社会科学和人文科学杰出学者”项目(项目批准号:LU330000215)的阶段性成果
【分类号】：I207.22

【参考文献】