林语堂小说行踪结构叙事研究

发布时间：2018-02-25 16:45

本文关键词： 林语堂行踪结构小说叙事　出处：《湖南师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：林语堂是中国现代文学史上的名家,其教育背景和生活经历的与众不同成就了文学上的独特性。学界此前对其小说的研究大都从文化、宗教等角度出发。而林氏小说自成一格的行踪结构叙事风格并未引起足够的关注。从这一视角进行讨论,有助于更为深入地揭示其文学个性。林氏小说行踪结构叙事的特点主要体现为三方面:一是以个人的行踪变化反映家族变迁,从而辐射社会全貌的叙事方式。林语堂最为人所熟知的“三部曲”就明显地体现出这样的方式,以人物不断变化的行踪来构成叙事过程,同时穿插进历史事件,通过家庭侧面反映宏观的社会现实和国家命运。二是转换叙事角度与叙事时空,将全知叙事与限制叙事灵活地进行转换,并充分利用作品中人物的视角进行叙事。同时利用作品中人物空间的移动变化串联故事情节。三是利用行踪叙事关照女性。传统中国下由于观念与身体的双重束缚,女性与“行”的关系甚为疏远。而林语堂在小说中建构了一种主体与外界紧张对立的模式,而正是在这种对立中,主体格调显露出来,展现了他理想中的“新女性”形象。在这种叙事模式中,林语堂的小说还塑造了一系列独特的“放浪者”形象。这些“放浪者”精神与理想的追求多是在行踪途中完成,其性格是随着行踪移动而逐步发生改变,不会出现过于戏剧化的情节。同时,这种叙事方式也使得林氏小说中的战争书写颇具特色。他通过小说中人物的行踪变化(具体来说就是因战争而逃亡的过程),反映当时的国内战争。这在某种程度上对抗战起了一定的宣传作用。这种行踪叙事对“追寻”这一叙事主题便有了独到的演绎。这种行踪结构叙事模式也在一定程度上影响了林语堂幽默、豁达的审美风格的形成。林语堂可以说是“两脚踏中西文化”的典型代表,他独特的行踪叙事风格便是在受到中西方文学的影响下形成的,是在继承后的创新。这对深入理解林语堂其人其作有重要意义。
[Abstract]:Lin Yutang is a famous scholar in the history of modern Chinese literature, whose educational background and life experience make the literature unique. From the angle of religion and so on. But the narrative style of Lin's novel's self-styled tracing structure has not attracted enough attention. It is helpful to reveal his literary personality more deeply. The narrative characteristics of the tracing structure of Lin's novels are mainly embodied in three aspects: first, the changes of his personal movements reflect the changes of his family. Thus, the narrative way of radiating the whole picture of the society. Lin Yutang's "trilogy", which is best known to all, clearly reflects this way, which forms the narrative process with the ever-changing movements of the characters, and intersperses with historical events at the same time. The second is to change the narrative angle and narrative time and space, and to change the all-knowledge narrative and the restricted narrative flexibly, through the family side to reflect the macro social reality and the national destiny. And make full use of the visual angle of the characters in the works to narrate. At the same time, the movement of the characters in the works is used to connect the story plot. Third, the tracing narrative is used to take care of the female. In traditional China, due to the double bondage of the idea and the body, The relationship between women and "action" is estranged. In his novels, Lin Yutang constructs a mode of tension between the subject and the outside world, and it is in this opposition that the style of the subject is revealed. In this kind of narrative mode, Lin Yutang's novels also portray a series of unique images of "surfers". Most of the spiritual and ideal pursuits of these "surfers" are completed on their way. Its character is gradually changed as it moves, without too dramatic a plot. At the same time, This way of narration also makes the writing of war in Lin's novels quite distinctive. He reflects the civil war of the time through the movements of the characters in the novel (specifically the process of fleeing because of the war). This is to a certain extent a reflection of the civil war of the time. This kind of tracing narrative has a unique interpretation of the narrative theme of "pursuit". This kind of narrative pattern of track structure has also influenced Lin Yutang's humor to a certain extent. Lin Yutang can be said to be a typical representative of the "two feet of Chinese and Western cultures". His unique tracing narrative style was formed under the influence of Chinese and Western literature. It is the innovation after inheriting. It is of great significance to deeply understand Lin Yutang's works.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

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