元杂剧中污吏形象研究

发布时间：2018-02-27 10:53

本文关键词： 元杂剧污吏艺术形象舞台作用　出处：《信阳师范学院》2017年硕士论文　论文类型：学位论文

【摘要】：元杂剧中数量众多的污吏形象,以其程式化的上场诗、滑稽的表演以及出乖露丑的喜剧效果给读者和观众留下了深刻印象。这些污吏形象不仅反映了元代腐败黑暗的社会现实,而且在戏剧结构和情节建构方面也有不可忽视的作用。本文从150多部全本流传的元杂剧中涉及污吏形象的作品进行梳理分析,借鉴古今关于人物形象塑造的相关理论,展示污吏在元代这一特殊历史时期的特殊地位。第一章引言,简要概述了本文的选题背景、理论意义、应用价值以及目前学界对元杂剧中污吏形象研究的现状。第二章元杂剧中的污吏形象,首先用分类法以元杂剧文本为依托对污吏形象进行分类,其次概括污吏形象的4个特征:律令不晓、贪赃枉法、淫乱好色、滥施刑罚。第三章污吏舞台艺术形象的塑造,由艺术手法、舞台作用和艺术效果三个方面分别展开论述。首先对科诨概念进行了简释,并运用戏曲理论论述表现污吏形象的艺术手法。其次从表演和演员的角度论述污吏形象的舞台作用。最后运用戏曲美学的理论概述污吏形象的艺术效果。第四章从元代社会政治和元杂剧作家两个方面出发,窥探污吏形象存在于元杂剧作品里的原因。首先由元代社会的政治历史背景着手,从蒙古族的政治立场、科举制的废弛、吏员出职制度三个角度展开讨论。其次落实到元杂剧作家的创作,从作家的身份地位、内心世界、考虑观众的审美需求三个方面进行探讨,挖掘其最本真的思想。第五章结语,总结本文讨论的重点,阐述学术意义价值,自我反思目前研究的不足之处,展望未来。
[Abstract]:The numerous images of the dirty officials in the Yuan zaju have impressed the readers and the audience with their stylized poems, comical performances and comic effects. These images not only reflect the corrupt and dark social reality of the Yuan Dynasty, but also reflect the social reality of corruption in the Yuan Dynasty. In addition, it also plays an important role in the construction of drama structure and plot. This paper analyzes more than 150 works concerning the image of dirty officials in more than 150 full-text Yuan zaju dramas, and draws lessons from ancient and modern theories on the portrayal of characters. Show the special position of the polluters in this special historical period of Yuan Dynasty. The first chapter introduces the background and theoretical significance of this paper. The application value and the present situation of the academic research on the image of the dirty officials in the Yuan zaju. Chapter two, the image of the dirty officials in the Yuan zaju, first of all, based on the text of the Yuan zaju, the image of the dirty officials is classified. Secondly, it summarizes the four characteristics of the image of the polluter: the law is not clear, the corruption perverts the law, the promiscuity, the penalty is abused. Chapter three, the creation of the stage artistic image of the polluter official, by the artistic technique, The stage function and artistic effect are discussed respectively. Firstly, the concept of Kequ is briefly explained. Then, from the angle of performance and actor, the paper discusses the stage function of the image of the defiled official. Finally, using the theory of drama aesthetics, it summarizes the artistic effect of the image of the defiled official. Chapter 4th. Starting from the two aspects of the Yuan Dynasty social politics and Yuan zaju writers, First of all, from the political and historical background of the Yuan Dynasty, from the political standpoint of the Mongolian, the imperial examination system was abolished. Secondly, from the perspective of the writer's status, the inner world and the aesthetic needs of the audience, the author explores his most authentic thoughts. The conclusion of Chapter 5th is the conclusion of Chapter 5th, and the conclusion of Chapter 5th, and the conclusion of Chapter 5th, from three aspects: the status of the writer, the inner world, and the aesthetic needs of the audience. This paper summarizes the key points of this paper, expounds the value of academic significance, self-reflection on the shortcomings of current research, and looks forward to the future.
【学位授予单位】：信阳师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.37

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