从“秋草园”到“百草园”:文本对话与经典生成

发布时间：2018-02-28 05:48

本文关键词： 《秋草闲吟序》《从百草园到三味书屋》周作人日记《鲁迅的故家》《知堂回想录》　出处：《现代中文学刊》2017年03期 　论文类型：期刊论文

【摘要】：表面看来,"百草园"的经典意象是在《从百草园到三味书屋》这篇家喻户晓的文章中由鲁迅创造的,但回复到鲁迅写作的具体语境,会发现这一意象其实是在周氏兄弟的系列对话中累积完成的。作为对话的起点,周作人《秋草闲吟序》对鲁迅"百草园"经典意象的建构起到了不可忽视的作用。这不仅体现在鲁迅是在受《秋草闲吟序》的影响并在对其进行趋避的过程中创作了《从百草园到三味书屋》,还体现在浓缩在周作人"秋草园"意象中的家族变迁等历史内涵构成了"百草园"文本背后的丰富容量。梳理"百草园"经典意象的塑造过程,可以深化对于作为经典的《从百草园到三味书屋》中历史内涵的认知,并为重新思考周氏兄弟研究中的既定思路提供新的可能。
[Abstract]:On the face of it, the classic image of "Baicaoyuan" was created by Lu Xun in the well-known article "from Baicaoyuan to Sanwei Book House", but reverted to the specific context of Lu Xun's writing. It will be found that this image is actually accumulated in the series of dialogues of the Chou brothers. As the starting point of the dialogue, Zhou Zuoren's Scripture of Autumn Grass idling plays an important role in the construction of the classic image of Lu Xun's "hundred Grass Garden", which is not only reflected in the influence of "Autumn Grass idleness", but also in the process of avoiding it. It also embodies in the historical connotations such as the family changes concentrated in Zhou Zuoren's "Qiucaoyuan" image, which constitute the rich capacity behind the text of "Baicaoyuan", and combs the molding process of the classic image of "Baicaoyuan". It can deepen the cognition of the historical connotation in the classic "from the hundred grass garden to the three taste bookshops", and provide new possibilities for rethinking the established ideas in the study of Zhou's brothers.
【作者单位】：中国青年政治学院中文系;
【分类号】：I206.6

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