“兴头”与“冷寂”之间的鲍照诗歌

发布时间：2018-02-28 08:22

  本文关键词： 鲍照 “兴头” “冷寂” 铺陈 反问 自我呈现　出处：《求索》2017年03期 　论文类型：期刊论文

【摘要】：关于鲍照诗歌的风格,历代皆相推许其“惊挺”“险急”的诗端,却忽视了其诗“冷寂”的收束。实际上鲍照有大量的诗歌都具有开端“兴头”、结句“冷寂”的构思特点,并在一热一冷的起伏间表达曲折回环的心理和深沉抑郁的痛苦,从而达成一种顿挫之致,形成峭促劲健的美学张力。在修辞手法上则形成了开端铺陈与结句反问之间的对比。其用意是诗人从普遍人生中的种种悲哀现象来提炼现实的本质,以揭示一己人生悲哀的普遍性和典型化,这使得鲍照诗歌成为魏晋时期诗歌深化自我呈现的典范。
[Abstract]:As to the style of Bao Zhao's poetry, the past dynasties have all agreed with him that he was "frightened" and "desperate", but neglected the collection of his poem "cold silence." in fact, Bao Zhao has a large number of poems which have the characteristics of starting "interest" and concluding sentences "cold silence". And express the twists and turns of psychology and deep depression between the ups and downs of a hot and cold state, thus achieving a kind of frustration. It forms a sharp and vigorous aesthetic tension. In terms of rhetoric, it forms a contrast between the beginning and the conclusion. Its intention is to refine the essence of reality from the sorrowful phenomena of life in general. In order to reveal the universality and typicalization of the sorrow of one's own life, Baozhao's poetry has become the model of deepening self-presentation of poetry in Wei and Jin dynasties.
【作者单位】： 北京外国语大学中文学院;
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本文编号：1546538