三个女性形象与当代中国社会性别制度的变迁

发布时间：2018-03-05 19:14

本文选题：形象　切入点：社会性别制度　出处：《中国现代文学研究丛刊》2017年05期 　论文类型：期刊论文

【摘要】：本文借鉴并重构"形象"和"社会性别制度"这两个理论范畴,尝试在一种跨媒介、跨学科的综合视野中探讨当代中国女性主体的塑造问题。全文立足三个女性形象(李双双、陆文婷、杜拉拉)的详细解读,在近60年的历史视野中,勾勒三个历史时期社会性别制度的变迁脉络及其内在结构。论文四个部分分别探讨三个女性形象的表意要素及其文本演绎、女性形象置身的社会制度场域、性别作为阶级的能指、权力结构的性别化再现形态,一方面深入挖掘三个形象的丰富历史内涵,另一方面也力图为整体性地探讨当代中国女性问题提供一种富于新意的分析框架。尤其注重结合具体历史语境和当代女性运动实践经验,深化有关女性主体的文化建构、女性社会化与婚姻家庭制度、女性主体性实践的场所、性别政治与阶级政治的关系等重要理论问题的讨论。
[Abstract]:Based on the theory of "image" and "social gender system", this paper attempts to explore the shaping of contemporary Chinese female subject in a comprehensive view of cross-media and interdisciplinary. The thesis is based on three images of women (Li Shuangshuang, Li Shuangshuang, and Li Shuangshuang). Lu Wenting, du Lala), in the past 60 years of historical vision, This paper outlines the changing context and internal structure of the gender system in the three historical periods. The four parts of the paper respectively discuss the elements of the ideographic meaning of the three female images and their text deduction, the social system field in which the female image is placed. Gender, as the signifier of the class, and the sexization of the power structure, on the one hand, deeply excavate the rich historical connotation of the three images, On the other hand, it also tries to provide a new analytical framework for the holistic discussion of contemporary Chinese women's issues. It pays special attention to the cultural construction of women's subjects in combination with the specific historical context and the practical experience of contemporary women's movements. The discussion on the important theoretical issues, such as the socialization of women and marriage and family system, the practice of women's subjectivity, the relationship between gender politics and class politics, etc.
【作者单位】：北京大学中文系;
【基金】：国家社科基金项目“女性镜像与当代中国的主体认同(1940—2010)”(13BZW129)的阶段性成果
【分类号】：I207.42

【相似文献】