意象映射与纳兰词中的意境现实化

发布时间：2018-03-06 23:29

本文选题：意象映射　切入点：认知诗学　出处：《武汉理工大学》2015年硕士论文　论文类型：学位论文

【摘要】：空间映射理论是由福克纳提出的,它来源于数学,并与心理空间理论和概念整合理论有着紧密联系。空间映射理论自其出现,并经过不断完善和发展,最终构成认知诗学的一大重要组成部分。福克纳的空间映射分为三大类:投射映射、语用函数映射、及图式映射。这些映射被广泛用于中国古典诗词中,作为其意境现实化的认知机制和手段。投射映射的映射依据是两个认知域之间的共性,是从一个认知域的概念投射到另一个认知域中的概念的过程。当同一个认知域中的两个概念根据其认知关联性被联系在一起,作为理解方式时,这种认知方式便是语用函数映射。某情形下的具体概念可完全与一个空间图式中的所有空档对应时,该对应关系则为一种图式映射关系。意象是古典诗词研究中的最基本的研究对象,是古典诗词生成过程和审美欣赏过程中的一个重要因素。中国古典诗词中的唐诗宋词是众多文学评论家的重点研究对象,也在中国古典文学史上享有盛誉。而清代的诗词却鲜有人关注。本文基于福克纳的映射理论,将其理论框架应用于理解中国古典诗词的主旨意义和写作技巧中。本文旨在尝试按照映射理论和认知诗学的角度来解读和分析清代词人纳兰性德的诗词。本文内容共分为六个章节。第一章包括对中国古典诗歌、词、映射理论、认知诗学、及纳兰词的背景知识介绍。第二章分别就认知语言学、意象映射、纳兰词的研究现状和不足做了叙述。第三、四、五章是本文的主体部分。在第三章中,论述了投射映射是如何体现在纳兰词的意境现实化过程中;第四章主要讨论纳兰词意境现实化中语用函数映射发挥的作用;第五章作为第三大部分,主要处理图式映射在纳兰词意境现实化中的体现。第六章是本文的结论部分。本文对研究纳兰词的意境和意象有着理论意义,也有实用价值。
[Abstract]:The theory of spatial mapping is put forward by Faulkner. It comes from mathematics and is closely related to the theory of mental space and the theory of conceptual integration. Faulkner's spatial mapping is divided into three categories: projection mapping, pragmatic function mapping, and schema mapping, which are widely used in classical Chinese poetry. As the cognitive mechanism and means of realizing the artistic conception, the mapping basis of projection mapping is the commonness between the two cognitive domains. Is the process of projecting concepts from one cognitive domain to another. When two concepts in the same cognitive domain are linked according to their cognitive relevance as a way of understanding, This form of cognition is a pragmatic function mapping. When a specific concept in a given situation can correspond entirely to all the gaps in a spatial schema, The corresponding relation is a kind of schema mapping relation. Image is the most basic research object in the study of classical poetry. It is an important factor in the process of producing classical poetry and aesthetic appreciation. The Tang poetry and Song ci in Chinese classical poetry are the important research objects of many literary critics. It also enjoys high reputation in the history of Chinese classical literature. However, few people pay attention to the poems of Qing Dynasty. This paper is based on Faulkner's mapping theory. The purpose of this paper is to try to interpret and analyze the poems of Nalanxinde, a poet of the Qing Dynasty, from the perspective of mapping theory and cognitive poetics. It is divided into six chapters. The first chapter is about classical Chinese poetry. Introduction of ci, mapping theory, cognitive poetics, and background knowledge of Nalan's ci. Chapter two describes the current situation and shortcomings of cognitive linguistics, image mapping, and Nalan's ci. Chapter five is the main part of this thesis. In the third chapter, the author discusses how projection mapping is embodied in the process of artistic conception realisation of Nalan's ci, and chapter 4th mainly discusses the function of pragmatic function mapping in the realization of artistic conception of Nalan's ci. Chapter 5th, as the third part, mainly deals with the embodiment of schema mapping in the realization of artistic conception in Nalan's ci. Chapter 6th is the conclusion of this paper. This paper has theoretical significance and practical value to study the artistic conception and image of Nalan's ci.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.23

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