论《李卓吾先生批评西游记》对《绘本西游记》插图的互文性影响

发布时间：2018-03-08 05:14

本文选题：《西游记插图》　切入点：李评本　出处：《明清小说研究》2017年04期 　论文类型：期刊论文

【摘要】：在日本江户时期出现了一部完整的百回本《西游记》摘译本——《绘本西游记》(简称"绘本"),此本部分插图神似于明代刊本《李卓吾先生批评西游记》(简称"李评本"),两者之间极具互文性。"绘本"初编翻译为口木山人,二编翻译为山士信,此两编图像为大原东野、歌川丰广所绘;三编、四编翻译为岳亭丘山,图像为葛饰北斋所绘。"绘本"与"李评本"插图互文性体现在:图像整体模仿呈现两者内在的渊源承继、构图局部调整突出经典画面的艺术再现、人物空间转换折射脱壳求新的创作心态、动作重新设计体现不同的艺术创作旨趣。"绘本"摆脱"李评本"插图影响后,人物形象渐显浮士绘风格、空间想象突显奇崛瑰丽、画面构图倾向舞台化展现。探究"李评本"与"绘本"插图之间的互文关系,可见出两者之间的渊源关系以及前者对后者艺术创作上的影响。
[Abstract]:During the Edo period in Japan, there appeared a complete edition of "Journey to the West", an excerpt of "Edo Book" ("Picture Book" for short). This part of the illustrations is similar to that of the Ming Dynasty magazine "Mr. Li Zhuowu's criticism of the Journey to the West" ("Li Zaban"). "Li, there is a great intertextuality between the two." the picture book was originally compiled and translated into a native of Komushan. The second is translated as Shan Shixin, the two images are painted by Ogahara Dongye, and the third and four are translated as Yue Ting Qiu Shan. The intertextuality of the illustrations of "picture book" and "Li Zi-ban" is reflected in: the overall imitation of the image presents their inherent origin, and the local adjustment of the composition highlights the artistic reproduction of the classical picture. The transformation of character space reflects the creative mentality of taking off the shell and seeking for novelty, and the action redesign reflects different artistic creation purport. After the picture book gets rid of the influence of the illustrations of "Li Jieban", the figure image gradually shows the style of the floating scholar, and the spatial imagination highlights the extraordinary rise of the painting style. This paper explores the intertextuality between the illustrations of "Li Zi-ban" and "Picture Book", and shows the relationship between them and the influence of the former on the latter's artistic creation.
【作者单位】：徐州工程学院人文学院;
【基金】：教育部人文社会科学研究项目“明清刊本《西游记》‘语—图’互文性研究”(项目编号:14YJC751044)阶段性成果
【分类号】：I207.41

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