苏轼七言古诗中的对仗艺术——兼论古体诗“律化”的问题

发布时间：2018-03-16 03:04

本文选题：苏轼　切入点：七言古诗　出处：《四川大学学报(哲学社会科学版)》2017年06期 　论文类型：期刊论文

【摘要】：古体诗并不要求对仗,苏轼在杜甫的基础上使古体与律诗一样达到了艺术上的审美并重,用韵和句式都越来越接近律诗,这种创作态度与欧阳修趋向保守相比更为大胆。追溯对仗手法在七古中扮演的角色和地位,可以发现苏轼的七古在宋代具有一定的特殊性,这来自他对初唐以及杜诗的继承,尤其是面对可视为其座师的欧阳修继承李白诗风时,他能够开辟新路径,在宋人诗歌当以意为主的观念下发挥自身才华,形成了一种瑰伟绝特的"似律古体诗"。
[Abstract]:On the basis of du Fu, Su Shi made the ancient style as much aesthetic as the law poem, and more and more close to the law poem with rhyme and sentence structure. This kind of creative attitude is more bold than Ouyang Xiu's tendency to conservatism. Tracing the role and position played by the tactics of fighting in the Seven Ancient dynasties, we can find that Su Shi's seven ancient dynasties had some particularity in the Song Dynasty, which came from his inheritance of the early Tang Dynasty and du Shi's poems. Especially in the face of Ouyang Xiu, who can be regarded as his master, when he inherited Li Bai's poetic style, he was able to open up a new path and display his talent under the idea that the poetry of Song Dynasty should be based on meaning, thus forming a kind of "ancient style poem like law".
【作者单位】：四川大学文学与新闻学院;
【基金】：2015年度中央高校基本科研业务费研究专项“中日两国对宋代文学的接受”(2082704184036)
【分类号】：I207.22

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