中国古代音乐与文学的关系研究

发布时间：2018-03-16 11:07

本文选题：音乐　切入点：文学　出处：《南昌大学》2017年硕士论文　论文类型：学位论文

【摘要】：音乐与文学的关系一直是音乐界与文学界不可忽视和需要重视的问题。从原始社会时期,音乐与文学的关系就是一种“诗乐同源”、“词曲共生”的关系,但随着社会的进步和意识思想的多元化,音乐与文学的关系也呈现出日趋复杂的关系,并且两者的关系也从形态扩大到了社会分工、社会阶层、思想意识等多个方面。本文以中国古代音乐发展史为线索脉络进行引证与论述,选取春秋战国、汉魏、唐、宋元、明清几个具有代表性的历史时期,结合中国古代文学与戏曲艺术进行跨学科的综合研究。文章以文艺理论、音乐社会学、音乐人类学、唯物辩证法、符号学、西方音乐哲学等学科知识作为本文的理论基础,采用文本研究法、文献查阅法、比较法、跨学科分析法等多种方法对中国古代音乐与文学的关系进行梳理与研究,以此探究中国古代音乐与文学的关系的整体情况和形成原因,望引起学界共鸣。赵晓生说过:“文学中的诗歌,从诗经、楚辞、乐府、唐诗、宋词、元曲,无一不是歌曲之词,随着时代推移,音乐佚亡,歌词尚存,凡词皆可歌可咏,应当说,中国音乐史中的半壁江山存在于中国文学史中。”可见中国古代音乐与文学的关系之紧密了。音乐与文学作为人类社会中的两种艺术形态,因其物质材料的不同而在产生方式与实践方式上都有着各自的特殊性,这种特殊性即是原始社会时期两者同源共生发展的关系纽带,也是后人将其两者结合的重要依据。先秦时期的艺术形态一直保持着诗、乐、舞三位一体的乐舞形态,音乐与文学一直相伴相随,但随着“百家争鸣”思潮运动的出现,音乐与文学的共生关系也开始趋于了独立。诗歌艺术作为中国古代文学中瑰宝,最早可追溯到先秦时期的《诗经》、《楚辞》,其大成于唐朝,而词曲艺术以宋元为最,戏曲艺术成熟于明清,这些文学艺术都与音乐紧密相连,如果我们单纯地以文本研究的方法对诗词、唱词进行研究,则会丧失其原本“可歌可唱”的初衷。因此,从音乐的角度去探究中国古代音乐与文学的关系,是帮助我们全面理解和认识古代词曲的重要方面。
[Abstract]:The relationship between music and literature has always been a problem which should not be ignored and paid attention to in the field of music and literature. From the primitive society, the relationship between music and literature is a kind of "poem and music homology" and "the symbiosis of ci and song". However, with the progress of society and the diversification of ideology, the relationship between music and literature is becoming more and more complicated, and the relationship between the two has expanded from form to social division of labor and social stratum. This paper takes the history of ancient Chinese music as a clue to cite and discuss, selecting the Spring and Autumn and warring States, Han, Wei, Tang, Song and Qing dynasties, the Ming and Qing dynasties, several representative historical periods, such as the Spring and Autumn period, the Han Dynasty, the Wei Dynasty, the Tang Dynasty, the Song Dynasty and the Qing Dynasty. Combined with ancient Chinese literature and opera art, this paper makes a comprehensive interdisciplinary study. This paper takes literature and art theory, music sociology, music anthropology, materialist dialectics, semiotics and western musical philosophy as the theoretical basis of this paper. This paper studies the relationship between ancient Chinese music and literature by means of text research, literature reference, comparative analysis, interdisciplinary analysis and so on, in order to explore the overall situation and formation reasons of the relationship between ancient Chinese music and literature. Zhao Xiaosheng said: "Poetry in literature, from the Book of songs, Chu ci, Yuefu, Tang Poetry, Song ci, Yuan qu, is not a song word. With the passage of time, the music is lost, the lyrics remain, and any word can be sung." It should be said that half of the history of Chinese music exists in the history of Chinese literature. "it can be seen that the relationship between ancient Chinese music and literature is so close that music and literature are two forms of art in human society. Because of the difference of its material material, it has its own particularity in the way of producing and the way of practice. This particularity is the tie of the relationship between them in the period of primitive society. It is also an important basis for the later generations to combine the two. The artistic form of the pre-Qin period has always maintained the music and dance form of poetry, music and dance, music and literature have always accompanied, but with the emergence of the "hundred schools of thought" ideological movement, The symbiotic relationship between music and literature also began to be independent. As a treasure of ancient Chinese literature, poetry art can be traced back to the Book of songs of the Pre-Qin Dynasty, Chu ci, which was formed in the Tang Dynasty, and the Song and Yuan dynasties were the most important art of ci and qu. Opera art matured in the Ming and Qing dynasties, and these literature and arts are closely related to music. If we study poetry and lyrics simply by means of text study, we will lose their original intention of "singing and singing". To explore the relationship between ancient Chinese music and literature from the perspective of music is an important aspect to help us understand and understand the ancient songs.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J609.2;I206.2

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