想象的“邻邦”：现代文学中的苏俄书写研究

发布时间：2018-03-17 23:32

本文选题：旅苏游记　切入点：白俄形象　出处：《中国海洋大学》2015年硕士论文　论文类型：学位论文

【摘要】：近代以来,伴随西方的殖民暴力,中国在面临“千年未遇之变局”的危机的同时,亦在艰难中重构现代民族国家与新的现代国族认同,其看待自我和世界的视野和方式也发生了巨大的变化,从“天下”的“中央之国”到转而取道西方, “中学为体、西学为用”, “老大帝国”一变而为“少年中国”,需要在学习西方,主要是欧美国家中生成。不过,在肯定西方作为“少年中国”的重要参照之外,也不可忽略其看待“邻邦”与“周边”的方式与其构建自身的意义,苏俄,作为中国的“邻邦”是其中的重要一极。而社会主义革命的胜利更是将苏联与现代中国革命联系在一起,许多知识分子前往苏联作为革命的朝圣之旅,中国现代文学、特别是左翼文学中,出现了许多关于苏联的游记、诗歌和小说,苏俄也成为中国国族构建、未来道路设计以及知识分子身份认同的重要参照。因此,对现代文学苏俄书写的研究具有重要的现实价值和理论意义。本论文选取的文本,主要集中于1920年代到1940年代之间,体裁主要包括游记和小说两类,前者自诩纪实,后者名曰虚构,但其实都可看成叙述之一种,是作者眼中笔下的苏俄,因此本论文以“想象”对其加以统括。论文试图围绕以下问题展开：现代文学如何想象苏俄?这种苏俄想象／形象主要有哪些面向?不同时空不同文本中的苏俄想象是否一致?其中的差异与何种因素有关?关于一个巨大的邻邦的想象,与知识分子国族与自我身份的建构间有什么样的隐秘关系?其中,自我与他者之间的关系是本论文展开的理论依据。论文共有五部分。第一部分介绍关于苏俄研究的现状、趋势；除了文学领域中旅苏游记和小说中的白俄形象两个研究向度之外,也概括介绍了政治学和历史学领域中苏俄研究的一些观点,以期拓宽文学中苏俄想象研究的视野。第二部分介绍了论文采用的理论框架,拉康的自我建构及身份认同理论是主要的考察点；第三部分概括并分析20世纪以来中国现代知识分子以游记形式书写的苏俄形象,以及缘由书写时间及知识分子不同的思想背景产生的苏俄想象的差异；第四部分,主要考察左翼作家笔下的白俄形象书写的演变及其异同：第五部分则试图分析文学中的苏俄想象与知识分子国族建构与身份认同之间的关系。
[Abstract]:Since modern times, along with the colonial violence in the West, China is facing the crisis of "the change that never happened in a thousand years", and at the same time, it is also difficult to reconstruct the identity of the modern nation-state and the new modern nationhood. His vision and way of looking at himself and the world have also undergone tremendous changes, from the "central state" of "the world" to the transition to the West, "Middle School is the body," "Western learning is used", "the Big Empire" has changed into "Juvenile China", it needs to be formed in learning from the West, mainly in Europe and the United States. However, in addition to affirming that the West is an important reference for "Juvenile China," We should not ignore its way of looking at "neighboring countries" and "periphery" and the significance of its own construction. As a "neighbor" of China, one of the important poles is the victory of the socialist revolution, which links the Soviet Union with the modern Chinese revolution. Many intellectuals go to the Soviet Union as a pilgrimage to the Soviet Union, and modern Chinese literature, Especially in left-wing literature, there have been many travels, poems and novels about the Soviet Union. Soviet Russia has also become an important reference for the construction of the Chinese nationality, the design of the future road and the identity of the intellectuals. The study of Soviet Russian writing in modern literature has important practical value and theoretical significance. The text selected in this paper mainly focuses on the period from 1920s to 1940s. The latter is fictional, but in fact, it can be regarded as one of the narration, which is the Soviet Russian in the author's eyes, so this paper covers it with "imagination". The thesis attempts to expand around the following questions: how to imagine Soviet Russia in modern literature? What are the main aspects of this Soviet imagination / image? Is the Soviet Russian imagination consistent in different texts in different time and space? What factors do the differences relate to? What is the secret relationship between the imagination of a huge neighbor and the construction of intellectual nationality and self-identity? Among them, the relationship between self and others is the theoretical basis of this paper. There are five parts of the paper. The first part introduces the current situation and trend of the research on Soviet Russia; In addition to the two dimensions of the study of the Sino-Soviet Journey to the Soviet Union in the literary field and the white Russian image in the novel, it also introduces some viewpoints of the Soviet Russian study in the field of political science and history. The second part introduces the theoretical framework used in the thesis, and Lacan's self-construction and identity theory are the main research points. The third part summarizes and analyzes the Soviet Russian image written by Chinese modern intellectuals in the form of travel notes since 20th century, as well as the difference of Soviet Russian imagination caused by the writing time and intellectual's different ideological background. Part 4th, This paper mainly examines the evolution and similarities and differences of the white Russian image written by left-wing writers: part 5th tries to analyze the relationship between Soviet imagination in literature and the construction and identity of intellectuals.
【学位授予单位】：中国海洋大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I206.6

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