乡间与庙堂之争——从歌剧《白毛女》的文本生产看解放区文艺的一种创作路径

发布时间：2018-03-31 08:17

  本文选题：歌剧《白毛女》　切入点：文本生产　出处：《西南交通大学学报(社会科学版)》2017年03期

【摘要】：歌剧《白毛女》的文本生产经历了民间奇闻传说—现代革命故事—个人化的小说改写—集体创作的歌剧四个阶段。在文本生产的过程中,原先处于自在自为状态的民间口头叙述是丰富的、多样的、杂草丛生的,在进入到大规模的、有组织的国家文学生产之前,民间文学形态已经经历了一个民众/个人“去除杂草”的过程。正源于这种剔除,民间文化形态才会与官方意志达成默契、交融,进而进入延安文艺“把关人”的视野中,最终将其确立为重点建设的文艺项目进行集体创作,成为了解放区文艺的一种创作方式。
[Abstract]:The production of the opera "White-haired Girl" has experienced four stages: folklore legend, modern revolutionary story, individualized novel rewriting and collective opera creation.In the process of text production, the folk oral narratives, which were originally in a state of freedom and self-sufficiency, were rich, diverse, and overgrown with weeds, before entering into large-scale, organized national literature production.The form of folk literature has gone through a populace / individual "weed removal" process.It is precisely from this kind of culling that the folk culture form will reach a tacit understanding with the official will and blend into the field of view of the "gatekeepers" of Yan'an literature and art, and finally establish it as a key construction literary and artistic project for collective creation.It has become a creative way of literature and art in liberated areas.
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