清人焚稿现象的历史还原

发布时间：2018-04-22 15:09

  本文选题：清人焚稿 + 社会意念　； 参考：《文学遗产》2017年05期

【摘要】：焚稿,是一种阻断作品传播的手段,从社会学角度看,具有走出紧张的社会关系和控制对个人的损害等作用;从文学角度看,则是通过直观与内省,照察境界不高的既成作品,对自我和他者眼中的失败之作进行净化处理。清人焚稿行为之烈、规模之大、所涉之广都远远超过了以往任何一代。如果还原历史现场,可以寻绎某些特殊历史事件的脉络,同时发现:清人极为日常化的文字业,不免会产生一定程度的写作疲惫,淡化了文学的崇高感和文人的优越感,也引发了对文学价值的思考。清代大量焚稿现象具有一定的隐私性,其发生有着复杂的原因,需要在深入研究的基础上揭示这一社会意念的本质特点,以及作为一种文学批评行为的意义。
[Abstract]:The burning of manuscripts is a means of blocking the dissemination of works. From a sociological point of view, it has the function of stepping out of the tense social relations and controlling the damage to the individual; from the literary point of view, it is through intuitive and introspection to examine the existing works with a low level. Purify the failure in the eyes of the self and the other. The intensity and scale of the burning of manuscripts in the Qing Dynasty were far more extensive than any previous generation. If the historical scene is restored, the context of some special historical events can be traced, and at the same time, it is found that the extremely daily writing industry of the Qing people will inevitably produce a certain degree of writing fatigue, desalinating the sense of nobility in literature and the sense of superiority of literati. It also leads to thinking about the value of literature. The phenomenon of mass burning of manuscripts in Qing Dynasty has some privacy, and its occurrence has complicated reasons. It is necessary to reveal the essential characteristics of this social idea and its significance as a kind of literary criticism on the basis of in-depth study.
【作者单位】： 苏州大学文学院;
【基金】：国家社会科学基金重点项目“清代江南文人日常生活与文学创作研究”(项目编号16AZW009)阶段性成果
【分类号】：I206.2
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本文编号：1787746