傅山戏曲创作研究
本文选题:傅山 + 戏曲创作 ; 参考:《山西师范大学》2017年硕士论文
【摘要】:傅山是处于明清交际时期的文人士大夫,也是一位博学多长的知识分子。一生,诗、书、文、佛、医等样样精通,被称为“三晋巨匠”。他自己的作品多收录在《霜红龛集》中,后人集其所作而成《傅山全书》。书中涵盖了傅山先生毕生的学术论著,涉及文学、艺术、医学等多方面的成就,存世的戏曲作品有《红罗镜》、《齐人乞食》和《八仙庆寿》。由于时代的特殊,加之先生的戏曲作品多为讽喻之作,所以傅山的作品没有得到大范围的流传,知道他写戏曲作品的人也为数不多,所以研究的学者也很少。江山易主,士子沉浮的特殊时代里,清初的政治条件为傅山的戏曲创作提供了必要的土壤。傅山看透社会本质,借助戏曲文学作品来抒发自己的真情实感和先进的思想价值观念,是有着相当重要的进步性和现实性的。因此,笔者对傅山先生的三部戏曲作品文本进行了深入的研究和探讨,通过梳理傅山的生平、交游以及影响他创作的诸多因素来探究他戏曲作品的主题和特色,结合傅山的大量诗文、杂记和前人的研究成果,力求从更深的层次挖掘傅山戏曲创作的初衷及其中所蕴含的观点,扩展对傅山先生的研究领域。本文共分为四章。绪论部分对研究目的和意义、相关成果研究、研究方法和思路进行了简要介绍,正文首先将傅山的生平和交游与他的创作相联系,在把握作者成长交游的宏观视野中,分析个人成长环境对于戏曲创作的影响。其次先深入挖掘社会背景和其他学术方面对傅山戏曲创作的影响,给我们看到了傅山在戏曲创作中的多样的文化知识和不俗的能力。继而通过对三部作品的分别梳理研究,达到充分地理解,为后文的分析作了铺垫。最后两章,通过对傅山先生三部戏曲作品主题和艺术的整体分析,得到了傅山在戏曲创作所想要表达的深层问题。这不仅仅是对于社会黑暗的揭露,更是一位进步的思想艺术家对于社会变革的渴望和无奈。字字见血,质朴真实又不失手法的高超。可以说,透过傅山先生的整体戏曲创作,让我们更多的了解了傅山先生对于戏曲创作个性的意识形态。他的反封建思想和革新的世界观在那个时代是难能可贵的,同时在作品中对语言、宾白、人物形象和结构的准确把握,也让我们看到了这位平民大家的魅力所在。
[Abstract]:Fu Shan is a literati and bureaucrat in the period of communication between Ming and Qing Dynasty, and also a learned intellectual. Life, poetry, books, literature, Buddhism, medicine and other proficient, known as the "three Jin Giants." His own works are included in the collection of Frost and Red niches. The book covers the academic works of Fu Shan's life, including his achievements in literature, art, medicine and so on. His opera works include "Red Mirror", "Qi Man begging for Food" and "eight Immortals celebrating his Life". Because of the special times and the fact that his opera works are mostly allegorical works, Fu Shan's works have not been widely circulated, and few people know that he writes his opera works, so few scholars study them. In the special times of changing the masters of rivers and mountains, the political conditions in the early Qing Dynasty provided the necessary soil for Fu Shan's opera creation. It is very important and realistic for Fu Shan to understand the essence of society and express his true feelings and advanced ideas with the help of traditional Chinese opera literature. Therefore, the author makes a deep research and discussion on the text of three opera works of Mr. Fu Shan, and probes into the theme and characteristics of his opera works by combing his life, friends and many factors that affect his creation. Combined with a large number of poems, miscellaneous notes and previous research achievements of Fu Shan, the author tries to excavate the original intention of Fu Shan opera creation and the viewpoints contained therein from a deeper level, and expand the research field of Fu Shan. This paper is divided into four chapters. The introduction part briefly introduces the purpose and significance of the research, relevant research results, research methods and ideas. Firstly, the text links Fu Shan's life and friendship with his creation, and in the macro view of the author's growing up, Analyze the influence of personal growth environment on opera creation. Secondly, the influence of social background and other academic aspects on Fu Shan's opera creation is deeply explored, which gives us a view of Fu Shan's diverse cultural knowledge and good ability in opera creation. Then, through combing the three works, we can get a full understanding and pave the way for the later analysis. The last two chapters, through the overall analysis of the theme and art of Fu Shan's three opera works, get the deep problems that Fu Shan wants to express in his opera creation. This is not only the revelation of social darkness, but also the desire and helplessness of a progressive ideological artist for social change. Word see blood, simple and true without losing the superb technique. It can be said that through Mr. Fu Shan's overall opera creation, we can learn more about Mr. Fu Shan's ideology of opera creation personality. His anti-feudal ideas and innovative worldview were invaluable in that time, and the accurate grasp of language, object, character and structure in his works also showed us the charm of this civilian.
【学位授予单位】:山西师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.37
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