唐代宫廷女性诗人研究

发布时间：2018-06-06 18:31

本文选题：唐代 + 宫廷　；参考：《广西师范大学》2017年硕士论文

【摘要】：唐代宫廷女性诗人,是指以生活在唐代宫廷或深受唐代宫廷影响的后妃、公主、女官、宫人为创作主体的诗人群。宫廷女性具有双重身份特征,即女性身份和宫廷身份。在中国古代文学史上女性文人较男性文人一直处于弱势地位,宫廷女性诗人这一群体几乎已经被文学史所忽略。但是她们这一群体形象却常常出现于文学作品之中,她们的诗歌创作与我们所熟知的宫词和宫体诗有很大的不同,是一种特殊的存在。她们生活于封建社会权利的中心宫廷,因此她们的诗歌不仅能够反映出唐代宫廷女性的生存状态,也能够从一定程度上反映出整个唐代宫廷的风貌。本文将以唐代宫廷女性及其诗歌为切入点进行研究,从而展现其创作面貌。本论文由五部分组成。绪论部分,主要交代问题提出的依据,从本分与非本分的角度来看唐代宫廷女性的诗歌创作以及对前人的研究成果以综述的形式进行阐述并对研究状况作出简要分析。第一章,为总概部分。首先,对唐前宫廷女性的诗歌创作进行梳理,使其呈现出清晰的脉络。其次,以唐代宫廷女性的身份为依据进行分类,并进行整体上的概述。第二章,则是从诗歌题材入手,从内容出发,主要将其分为郊庙祭祀歌辞、深宫幽怨之作以及游览宴会之作几大类。第三章,是从宫廷女性所作的诗歌入手,挖掘其独特之处。首先,将男性诗人所作的宫词和唐前宫廷女性所作的诗歌进行比较得出其情感的矛盾性。其次,从身份地位入手分析其身份地位在诗歌中的独特体现。最后,从宫廷这一环境出发,分析宫廷在其诗歌创作中留下的烙印。第四章,则是从时间角度进行分析。大唐王朝的三百年并不是波澜不惊的,社会的变迁也促使了文学的变迁。本章按照传统的分法,将唐代宫廷女性的诗歌创作分为初唐、盛唐、中唐、晚唐四个时期。总结分析每个时期的创作特点,并分析其变化的原因。
[Abstract]:The female poets in the Tang Dynasty refer to the people who lived in the court of the Tang Dynasty or were influenced by the imperial court of the Tang Dynasty, the princess, the female official and the palace as the main creative subject. Court women have dual identity characteristics, that is, female identity and court identity. In the history of ancient Chinese literature, female literati have always been in a weak position compared with male literati, and the group of court female poets has almost been neglected in literary history. However, their group images often appear in literary works, and their poetry creation is very different from the palace ci and palace poetry that we know well, and it is a special existence. They live in the central court of feudal society, so their poems can not only reflect the living state of women in the Tang Dynasty, but also reflect the style and features of the whole court in the Tang Dynasty to a certain extent. In this paper, the Tang Dynasty court women and their poems as the breakthrough point of study, thus showing its creative appearance. This paper consists of five parts. In the introduction part, the author mainly explains the basis of the question, from the perspective of the original and non-original, the poetry creation of the court women in the Tang Dynasty and the previous research results are expounded in the form of a summary and a brief analysis of the research situation is made. The first chapter is the general part. Firstly, the poetic creation of court women before the Tang Dynasty was combed to show a clear thread. Secondly, based on the status of court women in Tang Dynasty, it is classified and summarized as a whole. The second chapter starts with the theme of poetry and mainly divides it into three categories: the songs of sacrificial sacrifice in suburban temples, the works of deep palace enmity and the works of sightseeing banquets. The third chapter starts with the poems written by court women and excavates its uniqueness. First of all, comparing the poems of male poets with those written by court women before Tang Dynasty, the ambivalence of their emotions is obtained. Secondly, it analyzes the unique embodiment of its status in poetry from the position of identity. Finally, starting from the court environment, this paper analyzes the imprint left by the court in its poetry creation. The fourth chapter, is from the time angle carries on the analysis. The 300 years of the Tang Dynasty were not uneventful, and the changes of society promoted the changes of literature. According to the traditional division method, this chapter divides the poetry creation of women in the Tang Dynasty into four periods: the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty and the late Tang Dynasty. Summarize and analyze the creative characteristics of each period, and analyze the reasons for its change.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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