佛教“鼻观”与两宋以来的咏物诗词

发布时间：2018-06-09 06:23

本文选题：鼻观 + 六根互用　；参考：《东南学术》2017年03期

【摘要】：两宋以降,随着《楞严经》在僧俗间特别是士大夫之间的盛行,其六根互用的义理,渐次渗透到咏物诗词的创作中,并形成了"鼻观"说。从咏物对象言,鼻观对象往往称为禅友,而且有狭义、广义之分,狭义者专门指佛化植物厺卜,广义者泛指任何香物,但主体还是以植物花卉为主。从咏物模式言,作者主要是在营造禅思语境的前提下,对情、理、趣有所选择,进而形成三种基本形态,即抒情指向型、禅理指向型和禅趣指向型。
[Abstract]:With the popularity of the Shurangyan Sutra among monks and customs, especially between literati and officials, the six principles of mutual use gradually infiltrated into the creation of poems and poems of objects and formed the theory of "nose view". From the view of objects, the nose view object is often called Zen friend, and there are narrow sense, broad sense, narrow sense refers to Buddhist plants, broad sense refers to any fragrance, but the main body is mainly plant flowers. On the premise of constructing the context of Zen thinking, the author chooses emotion, reason and interest, and then forms three basic forms, namely lyric directed type, Zen principle directed type and Zen interest oriented type.
【作者单位】：福建师范大学文学院;福建师范大学外国语学院;
【基金】：国家社会科学基金重点项目“禅宗语录文学特色之综合研究”(项目编号:16ZWA007)
【分类号】：B948;I207.22

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