从“诗品”到“曲品”:论吕天成、祁彪佳的曲品批评
发布时间：2018-08-12 20:17
【摘要】："曲品"作为明代戏曲批评的重要形态,对诗文等品评范式有所移植借鉴,具体为溯源得委的流派意识、品第高下的比较意识、意象譬喻的审美意识。同时,吕天成、祁彪佳结合诗学批评的本色理论,追求"境""味"的审美趣味,调整"书品""画品"里"神、妙、能、具"品的设置,实现"曲品"内涵的新变阐述,从而折射出明代戏曲观念的嬗变:从文词格律转向整体审美风格的讨论、"尚法"与"尚意"论争辨析的再现等,体现出"曲品"批评形态的独特价值,以及明代戏曲理论的时代风貌。
[Abstract]:As an important form of traditional Chinese opera criticism in Ming Dynasty, qu Pin has been used for reference to the criticism paradigm such as poetry and prose, including the school consciousness of tracing back to the source, the comparative consciousness of the highest quality and the aesthetic consciousness of imagery and metaphor. At the same time, Lu Tiancheng and Qi Yujia combined with the essence theory of poetic criticism to pursue the aesthetic taste of "boundary" and "taste", adjust the setting of "God, delicacy, ability, and quality" in "book" and "painting", and realize the new change and exposition of the connotation of "qu article". It reflects the evolution of the concept of opera in the Ming Dynasty: the discussion of the whole aesthetic style from the rhythm of the prose to the whole, the reappearance of the controversy between the "Shang Fa" and the "Shang Yi", and so on, which reflects the unique value of the critical form of "qu Pin". And the era of the Ming opera theory.
【作者单位】： 安徽省安庆师范大学文学院;
【基金】：安徽省哲社规划一般项目“明清安徽文人戏曲研究”[项目编号:AHSKY2016D148] 安徽省人文社科重点项目“黄梅戏人才培养与生态建设研究”[项目编号:SK2016A055]阶段性成果
【分类号】：I207.37
本文编号：2180245
[Abstract]:As an important form of traditional Chinese opera criticism in Ming Dynasty, qu Pin has been used for reference to the criticism paradigm such as poetry and prose, including the school consciousness of tracing back to the source, the comparative consciousness of the highest quality and the aesthetic consciousness of imagery and metaphor. At the same time, Lu Tiancheng and Qi Yujia combined with the essence theory of poetic criticism to pursue the aesthetic taste of "boundary" and "taste", adjust the setting of "God, delicacy, ability, and quality" in "book" and "painting", and realize the new change and exposition of the connotation of "qu article". It reflects the evolution of the concept of opera in the Ming Dynasty: the discussion of the whole aesthetic style from the rhythm of the prose to the whole, the reappearance of the controversy between the "Shang Fa" and the "Shang Yi", and so on, which reflects the unique value of the critical form of "qu Pin". And the era of the Ming opera theory.
【作者单位】： 安徽省安庆师范大学文学院;
【基金】：安徽省哲社规划一般项目“明清安徽文人戏曲研究”[项目编号:AHSKY2016D148] 安徽省人文社科重点项目“黄梅戏人才培养与生态建设研究”[项目编号:SK2016A055]阶段性成果
【分类号】：I207.37
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