冯积岐短篇小说研究
发布时间：2018-09-17 07:58
【摘要】：冯积岐是陕西当代文坛重要作家之一,在三十余年的文学创作中创作出了260多篇中短篇小说,十余部长篇小说。在长篇小说为主宰,短篇小说边缘化的文体严重失衡的时代,冯积岐则主要从事短篇创作,即使在长篇小说有所成就之时也不忘记短篇小说,始终以一种难以想象的“执拗”精神坚守着,并努力突破自我局限,在陕西小说领域赢得了“短篇王”的美誉。冯积岐一直都很重视小说的艺术形式,坚持不懈地进行着短篇小说的艺术实验,力求每篇小说都各有特色。但是对其短篇小说的研究寥寥无几,尤其是系统性地研究其三十多年的短篇小说创作至今更是一个空白。本文以冯积岐的短篇小说为研究对象,通过系统的考察其短篇小说创作道路,侧重剖析其多样的艺术手法探索和实践,从而把握其短篇小说的思想艺术特色,以期对冯积岐研究进行一次较为完善的补充。本论文分为引言、正文、结语三个部分。引言主要对冯积岐短篇小说研究情况进行概括,并阐释冯积岐短篇小说的研究意义和价值。正文分为四章：第一章主要探讨冯积岐文学意识的生成。从另类的人生经历,个性化写作的苦行僧以及清醒的短篇小说文体意识等三方面展开论述,从而更好的切入对其短篇小说的研究。第二章则是对冯积岐30余年的短篇小说创作道路进行纵的回顾,从早期对现实主义文学的学习,再到借鉴现代主义文学观念进行文体探索和实验,而后试图在西方现代主义与中国传统文学之间找到自己恰如其分的表现方式。力求通过纵的回顾分析出冯积岐短篇小说在不同时期的特点和得失。第三章主要讨论冯积岐多样的艺术手法探索与实践。冯积岐积极借鉴表现主义、荒诞的、魔幻的、意识流的、多角度多人称叙述的艺术手法进行艺术实验。在荒诞、魔幻、意识流方面实践的较为成功。本章即从这三方面展开,分析西方现代主义艺术手法对冯积岐短篇小说艺术形式的重要影响。第四章则是进一步对冯积岐短篇小说的思想艺术特色及其创作的局限性进行归纳和总结。从思想上来看,冯积岐短篇小说主题最具特色的就是审视复杂的人性,将人性放置在金钱权力以及非常态的恋情中进行探寻,从而揭露人性的弱点。从艺术形式来看,冯积岐的短篇小说不是纯客观叙述,而是带有着强烈的主观抒情色彩,主要体现在主人公的情感抒发以及自然景物的主观性描写中；冯积岐的小说语言独具韵味,独特的使用通感、比喻等修辞手法,充满了主观感受；西化语言和充满泥土气息的关中方言相融合,使文本富有浓厚的文学色彩。结语主要在冯积岐短篇小说创作局限性的基础上,揭示其对于短篇小说探索的启示性意义,并对其创作进行了新的展望。冯积岐以西方现代主义文学尤其是诺贝尔文学奖获得者为典范,进行充分的学习和艺术实验。在50年代出生的陕西作家中,冯积岐是借鉴现代主义艺术手法较多的作家；在50年代出生的全国作家群中,冯积岐是对短篇小说艺术探索坚守的较为持久,且对艺术形式的经典性追求最为用力的一位优秀作家。
[Abstract]:Feng Jiqi is one of the most important writers in the contemporary literary world of Shaanxi Province. He has created more than 260 short stories and more than ten novels in his 30 years'literary creation. Not forgetting short stories, he persisted in an unimaginable spirit of perseverance, and strived to break through self-limitations, winning the reputation of "King of Short Stories" in the field of Shaanxi fiction. Feng Jiqi has always attached great importance to the artistic form of fiction, persevering in the artistic experiment of short stories, striving to make each novel have its own characteristics. But there are few studies on his short stories, especially the systematic study of his short stories for more than 30 years is still a blank. This paper takes Feng Jiqi's short stories as the research object, through a systematic study of his short stories, focusing on the analysis of his various artistic methods of exploration and practice, so as to grasp its. This paper is divided into three parts: introduction, text and conclusion. The introduction mainly summarizes the research situation of Feng Jiqi's short stories and explains the significance and value of Feng Jiqi's short stories. The formation of Feng Jiqi's literary consciousness is discussed from three aspects: the alternative life experience, the ascetic monk of individualized writing and the conscious style consciousness of short stories, so as to better cut into the study of his short stories. The study of righteous literature is followed by stylistic exploration and experimentation based on modern literary concepts, and then attempts to find a proper way of expression between Western modernism and Chinese traditional literature. Feng Jiqi actively uses expressionism, absurdity, magic, stream of consciousness, multi-angle and multi-person narrative techniques for artistic experiment. His practice in absurdity, magic and stream of consciousness is relatively successful. This chapter starts from these three aspects to analyze the western modernist artistic techniques on Feng Jiqi. The fourth chapter is to further summarize the ideological and artistic characteristics of Feng Jiqi's short stories and the limitations of their creation. Ideologically speaking, the most distinctive theme of Feng Jiqi's short stories is to examine the complex human nature, to place human nature in the power of money and in abnormal love. From the artistic point of view, Feng Jiqi's short stories are not purely objective narrative, but with a strong subjective lyric color, mainly reflected in the protagonist's emotional expression and the subjective description of natural scenery; Feng Jiqi's novel language has a unique charm, unique use of synaesthesia. The conclusion reveals the enlightening significance of Feng Jiqi's short stories on the basis of the limitations of his short stories creation, and makes a new prospect for his creation. Taking the western modernist literature, especially the Nobel Prize winner, as an example, Qi made full study and artistic experiment. Among the Shaanxi writers born in the 1950s, Feng Jiqi was a writer who drew on more modern artistic techniques; among the writers born in the 1950s, Feng Jiqi was a persistent comparison in exploring the art of short stories. An outstanding writer who is most persistent in his pursuit of classical pursuit of artistic form.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42
本文编号：2245234
[Abstract]:Feng Jiqi is one of the most important writers in the contemporary literary world of Shaanxi Province. He has created more than 260 short stories and more than ten novels in his 30 years'literary creation. Not forgetting short stories, he persisted in an unimaginable spirit of perseverance, and strived to break through self-limitations, winning the reputation of "King of Short Stories" in the field of Shaanxi fiction. Feng Jiqi has always attached great importance to the artistic form of fiction, persevering in the artistic experiment of short stories, striving to make each novel have its own characteristics. But there are few studies on his short stories, especially the systematic study of his short stories for more than 30 years is still a blank. This paper takes Feng Jiqi's short stories as the research object, through a systematic study of his short stories, focusing on the analysis of his various artistic methods of exploration and practice, so as to grasp its. This paper is divided into three parts: introduction, text and conclusion. The introduction mainly summarizes the research situation of Feng Jiqi's short stories and explains the significance and value of Feng Jiqi's short stories. The formation of Feng Jiqi's literary consciousness is discussed from three aspects: the alternative life experience, the ascetic monk of individualized writing and the conscious style consciousness of short stories, so as to better cut into the study of his short stories. The study of righteous literature is followed by stylistic exploration and experimentation based on modern literary concepts, and then attempts to find a proper way of expression between Western modernism and Chinese traditional literature. Feng Jiqi actively uses expressionism, absurdity, magic, stream of consciousness, multi-angle and multi-person narrative techniques for artistic experiment. His practice in absurdity, magic and stream of consciousness is relatively successful. This chapter starts from these three aspects to analyze the western modernist artistic techniques on Feng Jiqi. The fourth chapter is to further summarize the ideological and artistic characteristics of Feng Jiqi's short stories and the limitations of their creation. Ideologically speaking, the most distinctive theme of Feng Jiqi's short stories is to examine the complex human nature, to place human nature in the power of money and in abnormal love. From the artistic point of view, Feng Jiqi's short stories are not purely objective narrative, but with a strong subjective lyric color, mainly reflected in the protagonist's emotional expression and the subjective description of natural scenery; Feng Jiqi's novel language has a unique charm, unique use of synaesthesia. The conclusion reveals the enlightening significance of Feng Jiqi's short stories on the basis of the limitations of his short stories creation, and makes a new prospect for his creation. Taking the western modernist literature, especially the Nobel Prize winner, as an example, Qi made full study and artistic experiment. Among the Shaanxi writers born in the 1950s, Feng Jiqi was a writer who drew on more modern artistic techniques; among the writers born in the 1950s, Feng Jiqi was a persistent comparison in exploring the art of short stories. An outstanding writer who is most persistent in his pursuit of classical pursuit of artistic form.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42
【参考文献】
相关期刊论文 前1条
1 杨春霖;;陕西方言内部分区概说[J];西北大学学报(哲学社会科学版);1986年04期
，本文编号：2245234
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