晚清戏曲宗元观念与王国维的元代戏曲研究

发布时间：2018-10-15 19:03

【摘要】：晚清至民初是中国古典戏曲研究从传统向现代转型的时期。焦循、梁廷楠、姚燮、俞樾等人的戏曲评论与研究中,宗元倾向非常明显,为元曲“一代之文学”观念注入了丰厚的理论积淀与材料基础,并直接影响了王国维的戏曲研究。王国维对元剧“文章”的重视,对“自然”观念的强调,对“悲剧”、“意境”等的阐释,固然有传统诗文、戏曲观念的影响,但与晚清戏曲家的建构更为前后相接,吸纳借鉴之迹明显。他融中国传统戏曲观念、研究方式与西方文艺理论为一体,借助于对元杂剧的研究推举现代学术观念,完成了中国古典戏曲的现代转型,也促成了现代戏曲研究格局的形成。
[Abstract]:From late Qing Dynasty to early Republic of China, the study of Chinese classical opera changed from tradition to modern. In the commentary and research of Jiao Xun, Liang Tingnan, Yao Xie and Yu Yue, the tendency of Zong Yuan was very obvious, which injected rich theoretical accumulation and material foundation into the concept of "Literature of the Generation" of Yuan Opera, and directly influenced Wang Guowei's opera research. Wang Guowei's emphasis on the Yuan Opera "article", the emphasis on the concept of "nature", and the interpretation of "tragedy" and "artistic conception" are, of course, influenced by the traditional poetry and opera ideas, but they are more closely related to the construction of opera artists in the late Qing Dynasty. Absorb the trace that draw lessons from obvious. He combines the traditional Chinese opera concept, the research method and the western literary theory as an integral whole, with the help of the Yuan Dynasty zaju to promote the modern academic concept, completed the modern transformation of Chinese classical opera, but also contributed to the formation of the modern opera research pattern.
【作者单位】：黑龙江大学《求是学刊》编辑部;

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