历史语境下的潘金莲形象阐释
发布时间：2018-10-18 12:27
【摘要】：自元末明初的《水浒传》成书以来,潘金莲形象历来为不同时代的文人学者所津津乐道,成为中国文学画廊中经久不衰的文学原型之一。该形象具有作为原型的本元性、象征性、复现性,一方面始终潜存在文化的深层结构中,一方面其发生和衍化带上了历史性因素的种种印记,从而其形象和形态呈现为一个动态的塑型过程,流变于传统和现代、固守和超越、翻新和反复之间。该形象经由不同作家的创作实践活动,在不同文体中置换变形,在多部作品中反复再现,在时代长河中持续被赋予新的内涵,不仅激活了民族深层情感和人类集体无意识,而且承载着与时俱进的时代内容、价值取向、性别观念和精神意蕴。纵观古今,潘金莲从施耐庵的英雄时代游走至兰陵笑笑生的声色市井,从欧阳予倩的现代话剧信步于魏明伦的荒诞川剧,从何小竹的太虚幻境穿越到李碧华的诡魅世界,已然由“千古第一淫妇”的原始形象,逐步褪去淫邪的本色和耻辱的印记,蜕变为富有传奇色彩和个性光彩的悲剧女性。据此,本文将潘金莲形象的流变史置于中国历史文化语境之中,探寻这一文学原型在历代作家笔下的不同阐释与另类表现,试从人性和女性的视阈考量潘金莲的形象意义,以审问和反思的目光看待数百年的历史积淀,力图全方位地呈现潘金莲形象的承接与新变、演绎与拓展。本文共分为三个部分:首先分述潘金莲形象在古典文学中的人物特点,结合《水浒传》、《金瓶梅》和“水浒戏”等相关文本,追溯其原型意象的初始模式和形成过程;之后基于社会变革和文学律动等宏观层面,梳理潘金莲形象在现代文学中的置换变形,解析欧阳予倩和田汉等“五四”先驱者的相关剧本,提取两部剧作的改编特点与人物亮点,借以探讨潘金莲现代形象的全新释义与艺术价值;最后将评判目光置于以魏子云、何小竹、魏明伦、李碧华等当代作家的相关作品中,综合其创作背景、写作观念、改编方式和性别视阈等因素,从原型叙写和两性书写这两方面切入,分述和比较四类文本中的故事模式、叙述方法和形象特征,揭示出潘金莲形象在当代文学舞台上的别样演绎和多元再现,从而体悟其重塑背后的时代内涵和深层因素,探索女性主体由失语到发声、从缺席到回归的历史进程。此外,在阐释上述观点的过程中,笔者将针对潘金莲形象在不同作家作品中的改编局限作些分析,力求在把握其流变现象与重塑轨迹的同时,对其间存在的审美缺陷与艺术缺憾,进行一些合理的探查和科学的评判。
[Abstract]:Since the "Water margin" was written in late Yuan and early Ming Dynasty, Pan Jinlian's image has always been talked about by scholars of different ages, and has become one of the enduring literary archetypes in Chinese literary gallery. On the one hand, it always exists in the deep structure of culture, on the other hand, its occurrence and evolution take on various imprints of historical factors. Thus, its image and form are presented as a dynamic molding process, changing between tradition and modern, clinging to and surmounting, renovation and repetition. Through the creative practice of different writers, the image is replaced in different styles, reproduced repeatedly in many works, and continuously endowed with new connotation in the long stream of the times, which not only activates the deep feelings of the nation and the collective unconscious of human beings. And carrying with the times content, value orientation, gender concept and spiritual implication. Throughout ancient and modern times, Pan Jinlian has traveled from the heroic era of Shi Nian to the smiling scene of Lanling, from Ouyang Yuqian's modern drama to Wei Minglun's absurd Sichuan drama, from he Xiaozhu's Taixu fantasy to Li Bihua's magical world. The original image of "the first prostitute in the ages" has gradually faded away the imprint of the evil nature and shame, and transformed into a tragic woman with legendary color and luster. Based on this, this paper puts the changing history of Pan Jinlian's image in the context of Chinese history and culture, explores the different interpretations and alternative expressions of this literary prototype in the works of the writers of the past dynasties, and tries to consider the image significance of Pan Jinlian from the perspective of human nature and women. Looking at the historical accumulation of hundreds of years from the perspective of interrogation and reflection, the author tries to show the acceptance and new changes, deduction and expansion of Pan Jinlian's image in all directions. This paper is divided into three parts: firstly, the characters characteristics of Pan Jinlian's image in classical literature are described, and the original model and forming process of his archetypal image are traced back to the related texts such as Water margin, Jin Ping Mei and Shuihu Opera. Then, based on the macro aspects of social change and literary rhythm, this paper combs the replacement and deformation of Pan Jinlian's image in modern literature, and analyzes the relevant plays of Ouyang Yuqian and Tian Han, the pioneers of the May 4th Movement. In order to explore the new interpretation and artistic value of Pan Jinlian's modern image, the author abstracts the adapted features and characters of the two plays, and finally puts his judgment on the relevant works of Wei Ziyun, he Xiaozhu, Wei Minglun, Li Bihua and other contemporary writers, such as Wei Ziyun, he Xiaozhu, Wei Minglun, Li Bihua and other contemporary writers. By synthesizing the factors of writing background, writing concept, adaptation mode and gender perspective, this paper analyzes and compares the story patterns, narrative methods and image features of the four kinds of texts from the aspects of prototype narration and gender writing. It reveals the different deduction and multiple reproduction of Pan Jinlian's image on the stage of contemporary literature, so as to understand the connotation and deep factors of the times behind its remodeling, and to explore the historical process of female subject from aphasia to voice, from absence to return. In addition, in the process of explaining the above views, the author will make some analysis on the adaptation limitations of Pan Jinlian's image in different writers' works in order to grasp its changing phenomenon and remolding track at the same time. Some reasonable explorations and scientific judgments are made on the aesthetic defects and artistic defects.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.412
本文编号：2279121
[Abstract]:Since the "Water margin" was written in late Yuan and early Ming Dynasty, Pan Jinlian's image has always been talked about by scholars of different ages, and has become one of the enduring literary archetypes in Chinese literary gallery. On the one hand, it always exists in the deep structure of culture, on the other hand, its occurrence and evolution take on various imprints of historical factors. Thus, its image and form are presented as a dynamic molding process, changing between tradition and modern, clinging to and surmounting, renovation and repetition. Through the creative practice of different writers, the image is replaced in different styles, reproduced repeatedly in many works, and continuously endowed with new connotation in the long stream of the times, which not only activates the deep feelings of the nation and the collective unconscious of human beings. And carrying with the times content, value orientation, gender concept and spiritual implication. Throughout ancient and modern times, Pan Jinlian has traveled from the heroic era of Shi Nian to the smiling scene of Lanling, from Ouyang Yuqian's modern drama to Wei Minglun's absurd Sichuan drama, from he Xiaozhu's Taixu fantasy to Li Bihua's magical world. The original image of "the first prostitute in the ages" has gradually faded away the imprint of the evil nature and shame, and transformed into a tragic woman with legendary color and luster. Based on this, this paper puts the changing history of Pan Jinlian's image in the context of Chinese history and culture, explores the different interpretations and alternative expressions of this literary prototype in the works of the writers of the past dynasties, and tries to consider the image significance of Pan Jinlian from the perspective of human nature and women. Looking at the historical accumulation of hundreds of years from the perspective of interrogation and reflection, the author tries to show the acceptance and new changes, deduction and expansion of Pan Jinlian's image in all directions. This paper is divided into three parts: firstly, the characters characteristics of Pan Jinlian's image in classical literature are described, and the original model and forming process of his archetypal image are traced back to the related texts such as Water margin, Jin Ping Mei and Shuihu Opera. Then, based on the macro aspects of social change and literary rhythm, this paper combs the replacement and deformation of Pan Jinlian's image in modern literature, and analyzes the relevant plays of Ouyang Yuqian and Tian Han, the pioneers of the May 4th Movement. In order to explore the new interpretation and artistic value of Pan Jinlian's modern image, the author abstracts the adapted features and characters of the two plays, and finally puts his judgment on the relevant works of Wei Ziyun, he Xiaozhu, Wei Minglun, Li Bihua and other contemporary writers, such as Wei Ziyun, he Xiaozhu, Wei Minglun, Li Bihua and other contemporary writers. By synthesizing the factors of writing background, writing concept, adaptation mode and gender perspective, this paper analyzes and compares the story patterns, narrative methods and image features of the four kinds of texts from the aspects of prototype narration and gender writing. It reveals the different deduction and multiple reproduction of Pan Jinlian's image on the stage of contemporary literature, so as to understand the connotation and deep factors of the times behind its remodeling, and to explore the historical process of female subject from aphasia to voice, from absence to return. In addition, in the process of explaining the above views, the author will make some analysis on the adaptation limitations of Pan Jinlian's image in different writers' works in order to grasp its changing phenomenon and remolding track at the same time. Some reasonable explorations and scientific judgments are made on the aesthetic defects and artistic defects.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.412
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