以故宫的美学特征来阐释明清传奇结构美
发布时间：2018-10-23 14:58
【摘要】：明清戏曲理论家都以建筑作喻说明戏曲结构应如何布局,如王骥德谈戏曲结构如"工师作室",李渔以"工师建宅"来比喻戏曲结构作法,笔者列举并解析古今学者对中国建筑与戏曲二者的关系的探索,从这些理论中可知中国建筑结构与戏曲结构的美学特征有相通之处。陈建平认为明清戏曲创作结构论的三大美学追求是:整一美、中和美、意境美,笔者以中国最典型的古典建筑——故宫的美学特征来阐释明清传奇结构的这三大美学特征。
[Abstract]:In the Ming and Qing dynasties, opera theorists used architecture as a metaphor to illustrate how the opera structure should be laid out. Wang Jide talked about the opera structure, such as "the work room of the teacher", and Li Yu used "the teacher to build the house" as a metaphor for the structure of the opera. The author enumerates and analyzes the ancient and modern scholars' exploration of the relationship between Chinese architecture and traditional Chinese opera. From these theories, we can see that the aesthetic characteristics of Chinese architectural structure and opera structure are interlinked. Chen Jianping thinks that the three aesthetic pursuits of the structure theory of opera creation in Ming and Qing dynasties are: the whole beauty, the middle beauty and the artistic conception beauty. The author interprets the three aesthetic characteristics of the legendary structure of the Ming and Qing dynasties with the aesthetic characteristics of The Imperial Palace, the most typical classical architecture in China.
【作者单位】： 广州大学戏剧与影视学院;
【分类号】：I207.37
本文编号：2289583
[Abstract]:In the Ming and Qing dynasties, opera theorists used architecture as a metaphor to illustrate how the opera structure should be laid out. Wang Jide talked about the opera structure, such as "the work room of the teacher", and Li Yu used "the teacher to build the house" as a metaphor for the structure of the opera. The author enumerates and analyzes the ancient and modern scholars' exploration of the relationship between Chinese architecture and traditional Chinese opera. From these theories, we can see that the aesthetic characteristics of Chinese architectural structure and opera structure are interlinked. Chen Jianping thinks that the three aesthetic pursuits of the structure theory of opera creation in Ming and Qing dynasties are: the whole beauty, the middle beauty and the artistic conception beauty. The author interprets the three aesthetic characteristics of the legendary structure of the Ming and Qing dynasties with the aesthetic characteristics of The Imperial Palace, the most typical classical architecture in China.
【作者单位】： 广州大学戏剧与影视学院;
【分类号】：I207.37
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