论施蛰存小说中的抒情
发布时间：2018-11-13 15:52
【摘要】：施蛰存是20世纪30年代中国著名的"现代派"小说家,在短暂的10年创作期内(1926—1936),施蛰存出版了 5部小说集《上元灯》《将军的头》《梅雨之夕》《善女人行品》和《小珍集》。这5部小说集艺术风格多样(抒情的、写实的、超现实的等),写作手法新奇(古事重构、心理分析、志怪传奇等),题材涉猎广泛(乡村、都市,言情、世情,意识、潜意识等),表现出不同的"情调"与"姿态"(异域的、本土的,和谐的、变态的,感性的、理智的等)。在施蛰存的小说中包含抒情的特质。论文共包括三部分,各部分内容分述如下:第一部分,引言,讨论抒情概念,确定论文研究范围。首先探讨晚清、"五四"语境中的抒情概念;其次,总结抒情在小说文类中的具体内涵与外延,以此确定施蛰存小说中抒情的讨论对象;再次,对施蛰存小说中抒情问题的研究现状进行述评,确定论文的研究内容及框架。第二部分,包括第一、二、三章,是论文的正文。第一章以施蛰存的乡土小说为对象,分析抒情在其中的表现,包括"回忆诗学"与"晚唐诗韵"、牧歌与挽歌、爱欲·抒情·传奇三部分;第二章以施蛰存的都市小说为对象,讨论其中的抒情元素,分为"异域情调"与"人情传统"、"都市漫游者"与"都市善女人"、忧郁·苦闷·梦三部分;第三章从线性不可逆时间观出发,以施蛰存的文学创作历程为线索,探讨施蛰存小说的"现代性"在文学思想、艺术手法上的体现,以及抒情现代性之"色情""怪诞"的特质。第三部分,结语。总结全文,并进一步指出施蛰存小说创作的"变"(一以贯之的文体实验)与"常"(始终如一的人性书写),归纳出施蛰存为文、为人的精神基石——"慎独"。
[Abstract]:Shi Zhecun is a famous "modernist" novelist in China in the 1930s. During a short period of 10 years (1926-1936), Shi Zhecun was a famous novelist in China. Shi Zhecun published five collections of novels, "Shangyuan Lantern", "the General's head", "the Night of Mei Rain", "good Women's Walk" and "the Collection of Jane". These five novels have a variety of artistic styles (lyrical, realistic, surreal, etc.), novel writing techniques (ancient reconstruction, psychoanalysis, legend, etc.), and a wide range of subjects (rural, urban, emotional, worldly, consciousness, etc.), Subconscious, etc., showing a different "sentiment" and "posture" (exotic, native, harmonious, perverted, perceptual, sensible, etc.). Shi Zhecun's novels contain lyrical qualities. The thesis consists of three parts. The content of each part is as follows: the first part, the introduction, discusses the lyric concept, and determines the scope of the thesis. Firstly, it discusses the lyric concept in the context of the late Qing Dynasty and the May 4th Movement, secondly, summarizes the concrete connotation and extension of lyric in the genre of novels, and then determines the object of lyric discussion in Shi Zhecun's novels. Thirdly, the research status of lyric issues in Shi Zhecun's novels is reviewed, and the content and framework of the thesis are determined. The second part, including the first, second, and third chapters, is the text of the paper. The first chapter takes Shi Zhecun's vernacular novels as the object, analyzes the lyric performance in which, including "memory Poetics" and "late Tang poetry rhyme", pastoral and elegiac, love lyric legend three parts; The second chapter takes Shi Zhecun's urban novels as the object, discusses the lyric elements, including "exotic sentiment" and "human tradition", "urban rover" and "urban good woman", three parts of melancholy and dread dream; The third chapter starts from the view of linear irreversible time, taking Shi Zhecun's literary creation course as the clue, discusses the reflection of the "modernity" in the literary thought and the artistic technique of Shi Zhecun's novel. And lyrical modernity of the "porn" and "grotesque" characteristics. The third part, conclusion. Summing up the full text, and further pointing out that Shi Zhecun's novel "change" (consistent stylistic experiment) and "Chang" (consistent writing of human nature), summed up Shi Zhecun as the text, as the spiritual cornerstone of human beings-"cautious independence".
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42
本文编号：2329607
[Abstract]:Shi Zhecun is a famous "modernist" novelist in China in the 1930s. During a short period of 10 years (1926-1936), Shi Zhecun was a famous novelist in China. Shi Zhecun published five collections of novels, "Shangyuan Lantern", "the General's head", "the Night of Mei Rain", "good Women's Walk" and "the Collection of Jane". These five novels have a variety of artistic styles (lyrical, realistic, surreal, etc.), novel writing techniques (ancient reconstruction, psychoanalysis, legend, etc.), and a wide range of subjects (rural, urban, emotional, worldly, consciousness, etc.), Subconscious, etc., showing a different "sentiment" and "posture" (exotic, native, harmonious, perverted, perceptual, sensible, etc.). Shi Zhecun's novels contain lyrical qualities. The thesis consists of three parts. The content of each part is as follows: the first part, the introduction, discusses the lyric concept, and determines the scope of the thesis. Firstly, it discusses the lyric concept in the context of the late Qing Dynasty and the May 4th Movement, secondly, summarizes the concrete connotation and extension of lyric in the genre of novels, and then determines the object of lyric discussion in Shi Zhecun's novels. Thirdly, the research status of lyric issues in Shi Zhecun's novels is reviewed, and the content and framework of the thesis are determined. The second part, including the first, second, and third chapters, is the text of the paper. The first chapter takes Shi Zhecun's vernacular novels as the object, analyzes the lyric performance in which, including "memory Poetics" and "late Tang poetry rhyme", pastoral and elegiac, love lyric legend three parts; The second chapter takes Shi Zhecun's urban novels as the object, discusses the lyric elements, including "exotic sentiment" and "human tradition", "urban rover" and "urban good woman", three parts of melancholy and dread dream; The third chapter starts from the view of linear irreversible time, taking Shi Zhecun's literary creation course as the clue, discusses the reflection of the "modernity" in the literary thought and the artistic technique of Shi Zhecun's novel. And lyrical modernity of the "porn" and "grotesque" characteristics. The third part, conclusion. Summing up the full text, and further pointing out that Shi Zhecun's novel "change" (consistent stylistic experiment) and "Chang" (consistent writing of human nature), summed up Shi Zhecun as the text, as the spiritual cornerstone of human beings-"cautious independence".
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42
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