六枝“蒙萨”苗人蜡染文化探究

发布时间：2018-01-07 09:30

本文关键词：六枝“蒙萨”苗人蜡染文化探究　出处：《贵州民族大学》2015年硕士论文　论文类型：学位论文

【摘要】：蜡染是苗族在漫长发展演变过程中传承下来的文化瑰宝,是少数民族文化的重要载体。蜡染制作工艺、工具以及图案的演变过程也是少数民族发展演变过程的呈现。本文运用人类学、民族学研究的理论方法对六枝地区“蒙萨”苗人蜡染的探究,从生存环境、构图制作中分析其文化内涵,描述蜡染在生产生活中的重要作用,从而凸显保护和传承“蒙萨”苗人蜡染制作技艺及蜡染文化的重要意义,探讨这一地区文化保护和传承的对策和方法。本文共四万字,分为五个部分。本文第一部分对六枝地区的“蒙萨”苗人来源、分布及生计方式进行概况描述,同时从自然生态和人文生态两个方面对“蒙萨”苗人的文化生态环境进行分析,为下文分析蜡染纹样特征做铺垫。本文第二部分从制作技艺和分类对“蒙萨”苗人的蜡染进行研究。从布料的加工、染料的准备、呈现蜡染制作过程,以及对蜡染的构图进行分类描述,并将这些构图分为动物类图、植物类图以及其他图案三大类进行分类描述。本文第三部分通过田野调查,查阅前人所做的研究的资料,以及自己的认识,针对不同图案所蕴含的文化内涵进行探究。主要是从物质文化、精神文化、制度文化三个方面对图案进行内涵的分析研究。本文第四部分是在上文对蜡染文化内涵进行分析研究的基础上,从历史研究价值、艺术价值、审美价值三个方面对蜡染文化的价值进行论述。凸显蜡染在苗族生产生活中的重要地位以及所蕴含的蜡染文化在当地苗族文化中的总要性,从而为下文提出适合当地蜡染保护与传承的建议做铺垫。本文第五部分针对当下蜡染文化传承所存在的问题和面临的困境,在非物质文化遗产保护视野下从族群内部、社会、政府三个层面因地制宜提出一些可行性的保护于传承措施。
[Abstract]:Batik is the cultural treasure inherited by the Miao nationality in the long process of development and evolution. It is an important carrier of minority culture. Tools and patterns of the evolution process is also the evolution of the development of ethnic minorities. This paper uses anthropology, ethnology to explore the theoretical methods of "Monta" Miao people in Liuzhi region, from the survival environment. This paper analyzes its cultural connotation in composition making, describes the important role of batik in production and life, thus highlights the important significance of protecting and inheriting the batik production technique and batik culture of "Monsah" Miao people. This paper consists of 40,000 words, which is divided into five parts. The first part of this paper describes the origin, distribution and livelihood of the Miao people in Liuzhi area. At the same time, it analyzes the cultural ecological environment of the Miao people in "Monza" from the two aspects of natural ecology and humanistic ecology. The second part of this paper is to study the batik printing of the "Monza" Miao people from the production techniques and classification. From the fabric processing, dye preparation, the batik production process is presented. And the batik composition is classified and described, and the composition is divided into three categories: animal map, plant map and other patterns. The third part of this paper through field investigation. Refer to the previous research materials, as well as their own understanding, to explore the cultural connotation of different patterns, mainly from the material culture, spiritual culture. The 4th part of this paper is based on the above analysis and research on the batik culture connotation, from the historical research value, the artistic value. The value of batik culture is discussed in three aspects of aesthetic value, which highlights the important position of batik in the production and life of the Miao people and the overall importance of the batik culture in the local Miao culture. In order to put forward the following suggestions for local batik protection and inheritance. The 5th part of this paper aims at the current batik cultural heritage of the existing problems and difficulties faced. In the view of intangible cultural heritage protection, some feasible measures are put forward according to local conditions from the three levels of ethnic group, society and government.
【学位授予单位】：贵州民族大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J523

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