从“废墟”之美谈城市记忆的重塑

发布时间：2018-03-05 09:10

本文选题：废墟美学　切入点：城市更新　出处：《中国美术学院》2015年硕士论文　论文类型：学位论文

【摘要】：从中国传统绘画到20世纪初对建筑废墟的写实描绘,再到20世纪下半叶与城市废墟相关的当代艺术作品,贯穿在整个中国废墟美学发展中一条关于历史感触和精神回归的主线。在一个强调和突出人文化、人性化日益成为城市更新的中心内容之际,对中国现存的翻新与重建后的历史遗迹进行了调查。历史遗迹作为历史积累的产物,充满了种种历史的、人文的因素,留存了时代演化的痕迹,承载了特定的历史事件,是历史赐予一座城市时空意义上的最原始的记忆和最完整的精神。通过对废墟材料、废墟空间、废墟场域三种“废墟”之美的研究,探讨借“废墟”之美的审美情趣和艺术语言的公共艺术创作形式来重塑城市记忆,通过艺术来连接建筑、环境与人之间的纽带,持续启发未来参与者的热情和想象力,重新燃起人民对历史文化和城市记忆的热衷,使之成为有生命力的公共空间,创造一个让居民生活更美好的城市,这既是城市更新的基本原则,也是艺术的最高精神原则。
[Abstract]:From traditional Chinese paintings to realistic depictions of architectural ruins in early 20th century and contemporary works of art related to urban ruins in the second half of 20th century, Throughout the development of ruins aesthetics in China, there is a main line about historical feelings and spiritual return. At a time when human culture is emphasized and highlighted, humanization is increasingly becoming the central content of urban renewal. The existing historical sites in China after renovation and reconstruction have been investigated. As a product of historical accumulation, historical relics are filled with various historical and humanistic factors, leaving traces of the evolution of the times, bearing the burden of specific historical events. It is the most primitive memory and the most complete spirit that history has given a city in the sense of time and space. Through the study of the beauty of three kinds of "ruins" in the ruins material, ruins space and ruins field, Exploring the aesthetic taste of "ruins" and the public art forms of artistic language to reshape urban memory, connect architecture, environment and people through art, and continuously inspire the enthusiasm and imagination of future participants. It is not only the basic principle of urban renewal but also the supreme spiritual principle of art to rekindle people's enthusiasm for history culture and city memory and make it a living public space and create a better city for residents.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TU984.114

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