土家族民间丧葬绘画作品在灵堂中的空间布局研究

发布时间：2018-03-30 21:06

本文选题：丧葬绘画　切入点：灵堂　出处：《重庆师范大学》2017年硕士论文

【摘要】：土家族民间丧葬绘画研究自2012年起已经形成了较为体系的研究,本文是2015年文化部文化艺术科学研究项目《土家族传统民间丧葬绘画研究》的分支研究。是针对土家族民间丧葬绘画作品在丧葬活动中的空间布局研究。土家族民间丧葬绘画作品是土家族丧葬仪式中必不可少的道具,目前关于土家族民间丧葬绘画作品的研究主要集中在丧葬绘画作品本身的文化内涵、历史演化、内容、色彩、构图等,而关于丧葬绘画作品具体的应用,特别是关于土家族民间丧葬绘画在灵堂中如何布局和使用提及相对较少。丧葬绘画作品是土家族丧葬文化的重要组成,其意义与价值主要体现在丧葬活动过程中的实际应用。本文研究尝试从土家族丧葬绘画作品在丧葬灵堂中的应用角度出发,探讨土家族民间丧葬绘画作品在使用环境中的空间布局,以此探究其使用中存在的文化内涵。在研究其空间布局的方式及特点的同时,对空间布局中隐含的特殊意义也进行了较为深入的探析。土家族的民间信仰有自身的演化特点,它将多种有利于本民族发展的文化信仰逐渐融入自身的自然崇拜和祖先崇拜中,使土家族的民间信仰变得更加丰富,最终成为即留有本土的崇拜特点又融入儒释道等多个宗教信仰的“多神崇拜”。这种多神崇拜在其丧葬仪式中丧葬绘画作品的空间布局里充分体现。本文分为五部分,第一章从土家族丧葬绘画研究现状进行分析,了解该课题研究的基本状况。第二章阐述其文化背景、文化内涵、发展历程及现状。第三章主要通过笔者对湖北省恩施土家族自治州、宜昌市长阳土家族自治县、五峰土家族自治县鹤峰土家族自治县、湖南省吉首土家族苗族自治州、贵州省沿河土家族自治县、印江土家族自治县、德江县土家族民间丧葬绘画作品在丧葬活动中空间布局进行的田野考察进行梳理、阐释和分析。第四章是结合土家族宗教信仰背景、文化背景等对丧葬绘画作品在丧葬活动中空间布局的文化内涵进行深入的研究。第五章对整篇论文进行研究性的总结。通过本文论述,理清了土家族民间丧葬绘画作品在灵堂中的空间布局,同时阐述了其文化内涵,为其后续研究提供了学术资料。
[Abstract]:The study of Tujia folk funeral painting has formed a relatively systematic study since 2012. This paper is a branch study of the 2015 Ministry of Culture Culture Art Science Research Project "Tujia traditional Folk Funeral painting". It is a study on the spatial distribution of Tujia folk funeral paintings in funeral activities. Folk funeral paintings are essential props in the Tujia funeral ceremony. At present, the research on Tujia folk funeral painting works mainly focuses on the cultural connotation, historical evolution, content, color, composition and so on of the funeral painting works itself, and on the specific application of funeral painting works. Especially about how to layout and use Tujia folk funeral painting in the spiritual hall is relatively few. Funeral painting is an important part of Tujia funeral culture. Its significance and value are mainly reflected in the practical application of funeral activities. This paper probes into the space layout of Tujia folk funeral painting works in the use environment, so as to probe into the cultural connotations existing in the use of Tujia folk funeral paintings, and at the same time to study the ways and characteristics of the space layout, The special meaning implied in the space layout is also analyzed deeply. The folk beliefs of the Tujia nationality have their own characteristics of evolution, which gradually integrate various cultural beliefs conducive to the development of the nation into their own natural worship and ancestor worship. To enrich the folk beliefs of the Tujia people, Finally, it becomes "polytheism", which not only has the characteristic of local worship, but also melts into many religious beliefs, such as Confucianism, Buddhism and Taoism, etc. This kind of polytheism is fully reflected in the space layout of his funeral painting works. This article is divided into five parts. The first chapter analyzes the current situation of Tujia funeral painting research, and understands the basic situation of the research. Chapter two expounds its cultural background, cultural connotation, The third chapter mainly through the author to the Hubei Province Enshi Tujia Autonomous Prefecture, Yichang Changyang Tujia Autonomous County, Wufeng Tujia Autonomous County Hefeng Tujia Autonomous County, Hunan Province Jishou Tujia and Miao Autonomous Prefecture, The fieldwork of Tujia folk funeral paintings in Yanhe Tujia Autonomous County, Injiang Tujia Autonomous County, Dejiang County and Dejiang County, Guizhou Province, has been combed through the space layout of the funeral activities. The fourth chapter is based on the religious background of Tujia nationality. The cultural background and so on carries on the thorough research to the funeral painting work in the funeral activity spatial layout cultural connotation. The fifth chapter carries on the research summary to the entire thesis. This paper clarifies the space layout of Tujia folk funeral painting works in Lingtang, and expounds its cultural connotation, which provides academic materials for its follow-up study.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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